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Ex-Astros slugger Carlos Lee records sale of Texas home

Written By kolimtiga on Minggu, 02 November 2014 | 22.25

Former professional baseball player Carlos Lee has parted ways with his mansion-estate in Sugar Land, Texas, selling the 9,117-square-foot residence for $1.56 million.

Lee, who suited up for both the Astros and Rangers during his playing days, had asked for as much as $1.9 million for the two-story Traditional.

Built in 1991, the home features hardwood flooring, wrought iron staircases and detailed molding on the ceilings and walls. Among its features are a chef's kitchen with supplemental prep kitchen and a master retreat with a bonus room. A media room and game room reside on the second floor.

Outdoors, landscaped grounds of more than an acre contain expansive lawns, a basketball half-court and a pool and spa. There's also a three-car garage.

The 38-year-old first baseman/outfielder played 14 seasons in the big leagues, making three All-Star teams and earning two Silver Slugger awards. He retired in 2013 with a .285 career average and 358 home runs.

The home last sold in March 2007, public records show. Cindy Burns of Martha Turner Sotheby's International Realty represented both Lee and the buyer in the sale, which closed in mid-October.

Twitter: @NJLeitereg

Copyright © 2014, Los Angeles Times
22.25 | 0 komentar | Read More

Football: Saturday scores

Saturday, November 1st

CITY

EAST VALLEY LEAGUE

Arleta 44, Chavez 8

SOUTHERN SECTION

ACADEMY LEAGUE

Downey Calvary Chapel 45, Sage Hill 28

DE ANZA LEAGUE

Big Bear 28, Desert Hot Springs 17

DESERT MOUNTAIN LEAGUE

Mammoth 19, Lancaster Desert Christian 7

INLAND VALLEY LEAGUE

Riverside Poly 42, Canyon Springs 16

MOJAVE RIVER LEAGUE

Hesperia 41, Sultana 6

OLYMPIC LEAGUE

Heritage Christian 44, Whittier Christian 6

PAC-5 LEAGUE

Arroyo Grande 35, Atascadero 21

SAN JOAQUIN LEAGUE

Capistrano Valley Christian 49, Santa Clarita Christian 15

NONLEAGUE

Brentwood 43, Campbell Hall 7

8 MAN

CITY

VALLEY LEAGUE

Fulton 60, Discovery 6

SOUTHERN SECTION

CONDOR LEAGUE

Thacher 60, Laguna Blanca 24

Villanova Prep 42, Cate 27

EXPRESS LEAGUE

Avalon 49, Pacific Lutheran 0

La Verne Lutheran 64, Rolling Hills Prep 20

HI-LO LEAGUE

Immanuel Christian 78, Big Pine 20

OMEGA LEAGUE

Concordia 54, Einstein 52

NONLEAGUE

Joshua Springs 58, Faith Baptist 0

Lancaster Baptist 46, Animo Leadership 6

Trinity Classical Academy 52, Milken 0

Copyright © 2014, Los Angeles Times
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Unease over economy, Obama may turn Iowans redder — if they vote at all

Hillary Rodham Clinton had been to town the night before to energize voters, and just that morning another good report on the economy had been released in Washington. But as Jay Johnson emptied cardboard boxes into a trash bin outside Ace Hardware — he's the guy you see about tools — he had little to say about either one.

He'll vote Tuesday. Probably. But if he does, this two-time Obama voter, a Democrat, says he's leaning toward Republican Senate candidate Joni Ernst, not her Democratic opponent, Bruce Braley, because "being from here, you can kind of relate to Joni." Beyond that, he doesn't think that anything that occurs Tuesday in the national midterm elections will affect what still matters most to him, six years after the crash: the economy.

"They say it's good — that it has turned around," Johnson said, as he shifted one flattened box after another from a shopping cart into the bin. "I guess most people just don't feel it."

Johnson, 37, recently lost his second job as a carpenter at a nonprofit that helps rehabilitate houses for first-time buyers. Things were good for a while; they were doing 10 to 15 houses a month, but then the group's money dried up. His wife, a foreclosure counselor, is swamped: "She has a lot of job security."

Continuing unease about the economy and disappointment in the president remain the strongest head winds for Democrats across the country in Tuesday's election. Sentiments like Johnson's are why Republicans are within reach of taking over the Senate, possibly even picking up a seat here in the state with an increasingly blue tinge that launched Barack Obama on his path to the White House in 2008, and voted to elect him twice.

Voters in Iowa and other closely contested states like Colorado and Louisiana say trauma from the nation's economic decline is foremost in mind as the election nears. Prosperity has returned for some, but not all, and many live in fear that any gains they achieve will vanish. Undergirding their uncertainty is the discomfiting sense that no one — not the president nor members of Congress — has much control over events around the world.

Each week leading up to the election seemed to bring a new crisis: Islamic militants beheading Americans, a dreaded virus finding its way to American shores, a troubled man scrambling into the White House before being stopped. And there is a palpable distrust of government's ability to handle those situations and keep Americans secure.

But that unease is playing out differently among different groups of voters. Some plan to sit out the election despite the get-out-the-vote armies from the two parties and outside groups deploying across the swing states to coax sporadic voters to the polls.

Yet among hard partisans on the right and left, it seems to be having the opposite affect —driving them to cast ballots early, most often for what amounts to an up-or-down vote on Obama.

Here in Iowa, Suzanne Ortiz, 54, said she voted early for Braley because she fears Republican control of the Senate would lead to a stripping-away of the safety net and evisceration of the new healthcare law.

"We lost everything," said Ortiz, a former 911 operator who said she and her engineer husband were forced to rely on Medicaid and food stamps after the economic collapse. When her husband's work picked up after two years of unemployment, they found their income was too high to qualify for help, but because of health problems, Ortiz said, "no insurance company would touch" her. Now they are both covered by Obamacare, and their sons are moving beyond minimum-wage jobs to a place "where they finally can keep their head above water."

If Republicans control both houses of Congress, Ortiz said, she's afraid "that everything goes back to where we were."

"At least now we can pay the bills," she said. "Maybe not on time, but we can pay them."

Feeling that same uncertainty — but emerging on the other end of the electoral spectrum — were Wayne and Karen Gray, retired farmers who came to hear Ernst over breakfast at Big T Maid-Rite, a Toledo, Iowa, diner, during Ernst's recent swing through in an RV emblazoned with the encouragement to "Honk if you think Washington's broken."

"It's a disaster — this Ebola mess — we just don't have any leadership right now," said Karen Gray, 74, of Tama, who described the Obama administration as "very reactive" on issues from Ebola to terrorism.

She and her husband both felt reassured by Ernst's promise to bring "Iowa ways" to Washington, and the part of her talk when she noted that she had served in Kuwait and southern Iraq with the Iowa Army National Guard. "We could have kept ISIS from spreading," Ernst told the crowd at the Maid-Rite, chiding Obama's early description of Islamic State militants as a "junior varsity" force.

"We just want everything back to normal, for our grandchildren," Gray said. "Everything she says is exactly how we feel inside about what is going on in our country."

But the sharp partisan divide over who is to blame for those feelings of instability is driving away other voters, like 30-year-old Leo Yerington of Davenport. In his telling the fear-mongering — whether about threats to Social Security and abortion rights by the left or hysteria about Ebola patients and terrorists coming across the border from the right — has led him to tune out the election.

"You can't blame it all totally" on the president, said Yerington, a crane operator who voted for Obama in 2008, but "didn't like what he did." He is frustrated by the dearth of ideas from Ernst and Braley on how to handle those problems, adding that the Senate campaigns had amounted to "more bashing than anything else."

"I can't stand that," he said, as he unloaded groceries while his children clambered inside the family's SUV. "Neither one of them can hit me in the middle."

Kelly Roth, a hairdresser who is also worried that America is losing its influence over events abroad, said she too was unlikely to turn out Tuesday because the Senate candidates had offered "no clarity about what they would do" to address unsettling events around the world.

Roth, who was shopping the crafts aisle at a Wal-Mart in Delaware County — which split in 2012, with 49.4% for Obama and 49.6% for Mitt Romney — voted for Obama twice. "He talked a really good talk," she said, but she's disappointed. While the economy has stabilized, she says many people she knows "still want better-paying jobs." And she has been disgusted by candidates feeding on fears about terrorism and Ebola — helped along by "media that likes to scare the crap out of people."

Even at the Hamburg Inn No. 2 diner in Iowa City, a perennial stop of political candidates from Ronald Reagan to Bill Clinton in one of Iowa's bluest counties, the relentless get-out-the-vote efforts here didn't motivate waitress Heather Molyneux to register (though she didn't admit that to Hillary Clinton when the potential 2016 candidate popped in for a chocolate bourbon pecan pie shake with Braley on Wednesday).

"Really, they're both so extreme," she said of the two major parties, "that I just can't really thumb down one way or the other."

"Why can't I have a gun and get an abortion?" she asked, adding that she would never want an abortion, but that people should "make their own choices." As she sat at the counter during a break, she predicted that Tuesday's outcome would have little impact on her life.

"I'm just getting by, by the seat of my pants. I live check to check, but the checks seem to be making do," said Molyneux, who has a 6-year-old son. Whichever way the election goes, she said, "the world is just going to keep going on and working the way it's working."

maeve.reston@latimes.com

Twitter: @maevereston

Copyright © 2014, Los Angeles Times

22.25 | 0 komentar | Read More

Five takeaways from Lakers' 127-104 loss to Golden State

The blowouts picked up again, the Lakers falling to Golden State, 127-104, on Saturday night after a comparatively close loss to the Clippers the previous night. Here are five takeaways from Saturday's game.

1) Kobe Bryant keeps showing enough to disprove the doubters. At least individually. But he knows the team's record is of great importance. An 0-4 mark leaves plenty of room for derision.

2) Since when did Jordan Hill become the second-best player on the Lakers? Since this weekend. He had the exact same stats against the Clippers and Golden State — 23 points and five rebounds. He is now the Lakers' silver medalist.

3) Carlos Boozer has failed to hit double digits in three of four games. His nine-point effort on four-for nine shooting might be more of the norm this season.

4) More Ed Davis, please. He had 14 points and six rebounds in 21 minutes. Coach Byron Scott said it was too early to make changes in the starting lineup but Davis is making a case for more playing time.

5) Jeremy Lin? Still struggling: He took six shots and missed them all. He had six assists but basically canceled them out with five turnovers. He must improve if the Lakers want to end this skid.

Copyright © 2014, Los Angeles Times
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Workshop on European train travel

EUROPE

Workshop

Hostelling International will conduct a workshop on exploring Europe by rail. Topics will include Eurail passes and classes of service.

When, where: 7 p.m. Thursday at the REI store in Santa Monica, 402 Santa Monica Blvd.

Admission, info: Free. RSVP to (310) 393-9913, Ext. 3104.

WOMEN

Workshop

Hostelling International will conduct a workshop for women interested in traveling alone.

When, where: 7 p.m. Thursday at the REI store in Arcadia, 214 N. Santa Anita Ave.

Admission, info: Free. RSVP to (310) 393-9913, Ext. 3104.

JOSHUA TREE

Workshop

Learn how to take better photographs with your cellphone or point-and-shoot camera. Includes a trip into Joshua Tree National Park.

When, where: 8 a.m.-5 p.m. Saturday at the Oasis Visitor Center, Twentynine Palms.

Admission, info: $70. (760) 367-5535

Please email announcements at least three weeks before the event to travel@latimes.com.

Copyright © 2014, Los Angeles Times
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Felix Silla, a.k.a. Cousin Itt, looks back on a kooky career

A saucy redhead strolls into the pizzeria and spots the veteran actor who performed countless TV and film cameos throughout the 1960s and '70s.

"Cousin Itt!" she shrieks.

She drops onto one knee and hugs actor Felix Silla — all 3 feet, 11 inches of him.

It's a rare celebrity sighting in the larger-than-life career of the little Big Man, who inhabits a tiny — if peculiar — niche in TV-land subculture: Silla once played Cousin Itt, the shaggy hairball with sunglasses and a derby on the macabre 1960s sitcom "The Addams Family."

This is a town full of celebrities, on stage or in the audience. But this celebrity flies under the radar, even though his creations are firmly lodged in the memories of baby boomer TV watchers.

Silla was Twiki, the sidekick robot in the series "Buck Rogers in the 25th Century," cavorted with Hoss Cartwright in a "Bonanza" episode called "Hoss and the Leprechauns" and played a man-eating plant on "The Jonathan Winters Show." He was an ewok in "Star Wars: The Return of the Jedi," a young simian in "Planet of the Apes" and doubled for a boyish character in "Indiana Jones and the Temple of Doom."

Playing Cousin Itt, he admits, might sound "creepy and kooky, mysterious and spooky, and altogether ooky." But now, looking back at age 77, he wouldn't change a hair on the head of his long career.

Because he was often hidden inside costumes, Silla is rarely recognized for his roles. Realtor Linda Barbado knows him because she sold him a house after he retired here in 2004. He all but disappears in her hug and his voice seems part helium-inflected. In his tiny hands, a Samsung smartphone looks more like Moses' stone tablets.

These days, he spends his time with wife, Sue, also a little person, taking care of the couple's five granddaughters. Every Thursday, he meets with cronies for midday wine and pizza — retired wise guys who include a former stand-up comic, military officer, musician and photographer.

"He's the funniest little guy I know," says one.

"Hey, watch your language," adds another. "We don't use words like 'little' around here."

Silla jokes about his fame. At conventions, he's approached by people puzzled when spotting his character head shots by his side.

"They ask, 'Is that really you?' and I say, 'Of course it's me. What do you think I'm doing here — warming up the chair?' "

Silla spent much of his youth in the circus — until the Ringling Brothers troupe stopped in Los Angeles and he jumped from the three rings to the studios. He recalls the day in the early 1960s when he showed up for a casting call. He didn't know what the role was; he just needed work.

"These two guys sat at a table," he says. "They take one look at me and say, 'You got the job.' And I say, 'That's it? Don't I even need to audition?' They say, 'No, just show up on Monday.' "

The Cousin Itt character, he says, wasn't originally among the work of New Yorker cartoonist Charles Addams, on whose work the series is based. "A producer dreamed it up in some nightmare," Silla says.

His on-set instructions were simple: Walk around in a floor-length wig. (Cousin Itt's chatter was dubbed in later.) But the costume was made from real hair: "It was hot and heavy. Like wearing a brick."

It was also a safety hazard. "All the guys on the set smoked," he says. "They just dropped their butts and stepped on them. The producers worried that I might step on a smoldering cigarette and go up in flames. They gave me synthetic hair, which was flame-retardant."

For fans of the series, still in syndication four decades after its last episode aired in 1966, Silla has some Addams Family gossip: Actor John Astin, who played husband Gomez Addams, was originally cast as Lurch, the lumbering butler who often asked, "You rang?"

Ted Cassidy, who eventually played Lurch, was just as quiet off the set as he was on. Actress Carolyn Jones, the black-haired matriarch, Morticia Addams, was actually a blonde. The most bizarre character, Silla recalls, was actor Jackie Coogan as the snickering, bald-headed Uncle Fester: "He fell asleep on the set all the time. I can't tell you how many takes he ruined with his snoring."

Silla tells the tale of the most-famous role he didn't get: He was filming the Indiana Jones movie when director Stephen Spielberg turned to him.

"He puts his right thumb and index finger an inch apart and says, 'You know, Felix, if you were this much smaller I'd cast you as E.T. in the remake.' "

But, like always, Cousin Itt got the last laugh.

"Ha! Where is that film today?" he says. "I'll tell you where. They didn't make it."

john.glionna@latimes.com

Copyright © 2014, Los Angeles Times
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Whittier sees hope in plan to transform historic Nelles property

Over a span of 113 years, the sprawling Fred C. Nelles Youth Correctional Facility in Whittier housed thousands of boys, and even a few girls, who had run into trouble with the law.

Since closing in 2004, it has been used as a filming location. Now, movie crews could soon give way to construction crews.

Brookfield Residential Properties plans a large retail, commercial and residential project on the 74-acre site, which it purchased from the state three years ago for $42.5 million.

The Nelles property, about 18 miles east of downtown Los Angeles, is one of the largest pieces of urban land to be considered for development in the region in many years, said D.J. Waldie, a Los Angeles author and historian. Waldie said the development could create additional affordable housing for an area that is "desperately in need."

"There are still, a very few, undeveloped areas on the fringes of the county, but certainly this is one of the last large parcels to be developed within the core of the built up urban area of the county," Waldie said. "There aren't many like it."

Because the property has not been on the city tax roll for more than a century, it hasn't generated economic value for Whittier, city officials said. But the development brings a unique chance for growth in the city, they said, with up to 200,000 square feet of retail, office, restaurant and commercial space.

"It adds a significant dynamic to the city by adding a large tract of land to become a new neighborhood, essentially, in our community," said Jeff Collier, Whittier's city manager. "Much of Whittier is built out and we haven't had significant new housing opportunities for our residents for many years."

The city expects to receive just under $500,000 a year in net tax revenue once the project is completed.

One point of dispute has been over how many of the eight historic buildings on the Nelles site should be preserved.

Originally, Brookfield's proposed project would have demolished 50 structures and preserved and reused two of the historic ones: the superintendent's residence and the administration building.

In the city's recent draft environmental impact report, the developer's plan changed, per Whittier's recommendation, to preserve four historic buildings. Three would remain in place — the administration building, the superintendent's residence and the chapel — and the assistant superintendent's residence would be relocated on the property.

However, the Whittier Conservancy, a nonprofit organization, hopes to save more and will make that case to Brookfield in the next few weeks.

"We're pleased that it appears that two additional buildings will be preserved, but that still leaves a majority of the historic resources at risk," said Ted Snyder, president of the conservancy. "We believe that additional historic buildings can be saved and adaptively reused in a way that enhances the project economically and aesthetically."

Brookfield's plan could bring in up to 750 residential units — a mix of single-family homes, condos, townhomes and apartments, said David Bartlett, vice president of land for Brookfield Residential.

Over the next month, residents will have an opportunity to comment on the environmental impact report.

Public hearings will then be scheduled for the Historic Resources Commission, Planning Commission and City Council starting in January, after the report's completion.

"We've tried to create a balance of uses and residential opportunities that are close to jobs, meet a variety of housing types and price points and fulfill the city's long-term goal of creating a revenue stream from the property," Bartlett said.

There are also plans to include educational displays on the property to showcase the history of Nelles, Bartlett said.

Nelles opened in 1891, before Whittier was incorporated, and served as a state reform school for boys and girls until 1916, when the girls were moved elsewhere. The property includes former dormitories, an auditorium, two gymnasiums and a mix of architectural styles.

With no regular maintenance, some of the buildings bear cracks and peeling paint. The grass is now overgrown and some of it is green only where film crews have spray-painted it.

Nelles is a California State Historical Landmark and was the longest-running state school for juvenile offenders in California.

When conservancy members and others toured the property in September, it was one of the few times some residents have been given a chance to see what sits behind the 15-foot-tall chain link fence topped with razor wire on Whittier Boulevard.

"People have been interested in it for so long and know so little about it," Snyder said. "In a way, Nelles sort of put Whittier on the map back when it was founded."

City Councilman Joe Vinatieri, a longtime Whittier resident, remembers reading in the newspaper about boys scaling the fences and escaping. If he ever misbehaved, he recalled, his father would threaten to send him to the "bad boy's school."

The facility remained largely a mystery to Vinatieri until he was in his 30s and began holding a Bible study class there every Monday night for 10 years.

Vinatieri describes what's left of Nelles as blighted and rundown and said the development will have a "rising tide" effect.

"I think it helps out all the county area and all of Whittier and it's a possibility it's going to seep beyond just the city of Whittier," Vinatieri said.

brittny.mejia@latimes.com

Twitter: @brittny_mejia

Copyright © 2014, Los Angeles Times
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Travel letters: Tipping hotel housekeepers is a tipping point for some readers

Regarding "Marriott Has a Tip for Aiding Housekeepers" [More for Your Money, by Jill SchensuI, Oct. 26]: I suggest that Marriott pay a decent wage.

Tom McKerr

Huntington Beach

As one of the 70% who do not regularly tip housekeepers, I am entitled to a clean and neat room every night in return for the hundreds of dollars the hotels charge. It is Marriott's responsibility to provide a safe workplace and compensate their employees appropriately, and not expect their guests to make up the deficiency.

Fredric Reichel

Santa Monica

Let's see now, as I read the Travel section [Oct. 26], I turn to Page 2 and there's a story about the airlines, "Your Airline Seat May Not Truly Be 'Reserved.'" I continue to read, so far so good. Then on Page 8 there it is, why we should tip housekeepers. The airlines have gouged everyone who flies with a fee for this or that. Then hotels began to charge a resort fee, plus other fees. Restaurants are now adding a 0.03% charge to all tabs to help with healthcare. My question is this: Is that my responsibility? Now some restaurants are automatically adding the tip (OK) and the 0.03% healthcare charge. Where does it end? It doesn't, because tip jars are the norm in a lot of businesses. Don't get me wrong, I go to some of the best restaurants in this city and I truly don't mind tipping for service, but somewhere along the line you feel you are being taken advantage of, or better yet, a walking dollar sign.

Charles P. Martin

Los Angeles

Regarding "Your Airline Seat May Not Truly Be 'Reserved'" [On the Spot, by Catharine Hamm, Oct. 26]: The problem is we deregulated the airlines, and they are there only for the upper class and maybe upper-middle class. This is what is going on in our wonderful country. Corporations are taking advantage of the average person so they cannot participate, and the corporate heads are just taking these obscene salaries.

Arnold Familian

Rancho Mirage

travel@latimes.com

Copyright © 2014, Los Angeles Times
22.25 | 0 komentar | Read More

Beverly Hills teacher finds violin and Vivaldi in a time of war

Written By kolimtiga on Sabtu, 01 November 2014 | 22.26

I teach violin in Beverly Hills, and this summer I received an unusual request.

Jonathan Hollander, a choreographer and founder of the nearly 40-year-old Battery Dance Company in New York, contacted me through mutual friends. Hollander was looking for a violin teacher for a 24-year-old student in Erbil, Iraq.

What persuaded me to accept was that "this particular student's heart was broken when he couldn't continue to take violin lessons."

Hollander is not naive. He subscribes to Leonard Bernstein's philosophy: "Art never stopped a war… art cannot change events. But it can change people." Battery Dance Company's educational program Dancing to Connect has been conducted in more than 40 conflict zones, including Iraqi Kurdistan, where the company's teaching artists have brought together Kurds, Shia, Sunni and Christians. They've had workshops with mixed groups of Israelis and Palestinians. As Hollander says: "You can't dance with someone you distrust."

Others also have used cultural diplomacy to help sort out conflict. In 1999, Daniel Barenboim and the late Edward Said founded their West-Eastern Divan Orchestra, bringing together young Israelis and Palestinians and other Arabs.

Hollander's latest enterprise is to match private teachers with students in war-torn countries. Since I began teaching my student, whom I will call Mustafa for his protection, Hollander has taken on mentoring a young choreographer in Baghdad and arranged for Diane Walsh, a concert pianist in Portland, Maine, to begin teaching an advanced piano student in Erbil.

Curious about a student desperate to continue violin lessons in the midst of chaos, I checked out Mustafa's Facebook page. It shows a handsome, laid-back-looking young man with his beloved violin beside him. He could be anywhere in the world.

In an email, Mustafa acknowledged that he had not touched his violin in months, "too busy about ISIS. Bad people don't want to listen to music. No energy to play. We have a bad situation in my country as every one in the world knows about the war in Iraq but it isn't my reason because I don't count myself an Iraqi person, I am Kurdish and I live in Kurdistan which is a free region in Iraq. I like you teach me on Skype and I have computer in my room."

Erbil had never been on my radar, but I suddenly found myself reading everything I could about the capital of Kurdistan; like the rest of the world, I was also glued to the news there. Steve Coll in the New Yorker writes that since the American invasion of Iraq, this region "has been the most stable place in an unstable country."

We scheduled the first lesson for Aug. 12, but almost immediately, the Islamic State, ISIS, ISIL, IS — the jihadist group whose name seemed to change daily — took center stage, hacking its way across the region. As the world stared, the radical group went after the biggest dam in Iraq, near Mosul, 50 miles from Erbil.

Hollander emailed me: "The situation might be exploding and communication could be too dangerous for your student and his family." After the initial flurry of emails from Mustafa, there was suddenly nothing. Given the events unfolding in Kurdistan, I assumed violin lessons were not going to happen. I managed to reach Mustafa on his cellphone; he told me the Internet was temporarily down.

Yet I detected no doubt on his part that lessons would go ahead.

"See you on Aug. 20 at 9 a.m.," I said.

"Inshallah," Mustafa replied.

**********

All hell was breaking loose around Erbil, but on Aug. 20 at 9:02 a.m. California time, Mustafa was there, apologizing for being late.

His brown and black violin, made by a local luthier, sounded better than it looked. In the middle of his three-octave G Major scale, the lights went off and I was left looking and listening to a very earnest, bearded young man illuminated by the light of his computer.

The room he was in was stark white, with no visible furniture, though his computer must have been on a chair or table. I'm not sure how long he has been playing — maybe four years, since he's a graduate of the Institute of Fine Arts, a college in Baghdad.

A minute or so later, the lights came back on. The Skype connection broke several times, but we persevered. I heard some arpeggios and talked to him about bow speed, legato, tone, shifting and intonation. I encouraged him to play the scale as if it were the most beautiful music in the world. "Be brave," I told him. "Use the entire bow."

It was impossible to put out of my mind that not far from this room where my student worked to improve his tone and acquire more technique, thousands of Yazidis had taken refuge on a desert mountaintop as they tried to escape Islamic State. On Aug. 18, two days before our first lesson, the Americans had come back into Iraq, after a two-year absence, to launch airstrikes in an effort to help the Kurds and Iraqis take back the dam near Mosul, as well as to protect American oil interests.

"Can you straighten your wrist?" I asked, maneuvering my left wrist from a bent position, palm to the ceiling, into a straight line.

"No," he told me firmly. There was clearly no room for negotiation.

"It will give your fingers the freedom to get around the violin," I told him, not unaware of the political overtones in my choice of words.

I played the opening octaves and broken thirds of Beethoven's violin concerto to show him how fast the fingers could move if positioned correctly, hovering over the strings. His eyes widened.

"No," he told me again. "Change too hard." I let it go for now.

Then out of the blue, he blurted out: "I hate classical music." I had trouble believing that. I played for him the first and second movements of "Winter" from the Vivaldi "Seasons," which he hadn't heard before, playing into the computer, to a captive audience of one. I promised to send him a YouTube of the complete Vivaldi concertos.

"Could you teach me about pop music?" Mustafa asked.

I know nothing about current pop music and wondered what exactly he meant by "pop." I suddenly broke into Petula Clark's "Downtown."

"I crazy about this!" he shouted.

At the end of the lesson, he said: "It's amazing time, really. You give me your time. Thank you so much."

"See you next week."

"Inshallah."

**********

A week later, I wondered whether Mustafa would turn up for his lesson. In a way, he was like any other transfer student, in that I had to figure out what he needed most and in what order. On the other hand, he was in a crazy situation, on the outskirts of a very undefined, unconventional war zone.

It was Aug. 27, 9 a.m. in California, and there he was, right on the dot. We picked up where we had left off.

"Are you sure it's OK to take violin lessons with an American?" I asked.

"I have good place for security," he assured me.

"Can you help me technique to speed my finger?" he asked.

"Make an umbrella with your fingers," I told him, as I turned my upper body so he could see my straight forearm and left hand fingers over the fingerboard. He shot me a look.

"If you want to be able to move your fingers quickly..." I said, moving my fingers rapidly to prove my point.

He straightened his wrist, repeated the exercise and looked at his fingers in amazement.

I wanted him to have an etude book, and I held the book close to the computer screen so he could see the title. He disappeared, then reappeared, grinning, and gave me the thumbs-up sign as he held an ancient copy of the same music, Wohlfahrt written in big letters, with Kurdish letters above.

My next student was about to arrive.

"Listen, about pop music…"

"It's OK. I like classical music…," he brushed me off. He had listened to the Vivaldi "Seasons." "I crazy about this Vivaldi — good producer."

"Composer?"

"Composer," he said, making a mental note of it.

On the spur of the moment, I played "Over the Rainbow." He practically started dancing, he was so happy.

"I crazy about this" he said, beaming.

So I could teach him about pop music — from the last century.

My next student, an 11-year-old boy, and his mother walked in. I introduced them on Skype. Mustafa was thrilled to meet a student of mine in Los Angeles. "That's just amazing," my student's mother said as she wiped a tear from under her sunglasses. I explained to her son that this violin student was in northern Iraq. He shrugged.

**********

It was hard to get Mustafa out of my mind. As a violin teacher, I am used to students graduating or moving on for one reason or another. Some stay in touch, some are never heard from again. No one's life was ever in danger, as far as I knew. Anything could happen to Mustafa, and who would tell the violin teacher 7,000 miles away?

As a violin teacher, I'd never thought at the end of a lesson that I might not see a student again.

At his third lesson, on Sept. 3, Mustafa told me that he was prepared to join the Peshmerga (armed Kurdish fighters). While military service in Kurdistan is voluntary and he'd never served, he said: "I can go to fighting. They not conquer my country."

Mustafa asked me if I'd heard about the journalist (James Foley) from the United States who had recently been beheaded. I nodded.

"I cried about this," he told me. He looked as if he were going to break down again.

"Let me hear your etude," I said, changing the subject.

A week or so later, Hollander emailed me. "Have you seen Mustafa's latest Facebook photos?"

There he was in military fatigues and boots, surrounded by other recruits, draped in the flag of Kurdistan, the violin nowhere to be seen. He canceled his fourth lesson. "Very busy," he emailed.

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Five takeaways from the Clippers' win over Lakers

The Clippers rallied late in the game to defeat the Lakers, 118-111, and improve their record to 2-0. Here's five takeaways from the victory:

1) Blake Griffin became the primary offense for the Clippers late in the fourth quarter.

He had 21 of his 39 points in the second half. He had eight points in the fourth quarter, which included going six for six from the free-throw line. Griffin was 13 of  23 from the field and 11 of 12 from the free-throw line.

2) In the fourth quarter of a tense game, the Clippers had Chris Paul play defense against Kobe Bryant. Paul knew it wasn't going to be an easy job, but he was up to the task of defending Bryant. Paul did his part to force Bryant into missing six of seven shots in the fourth quarter.

"I just tried to mix it up a little bit," Paul said.

3) The Clippers remain an inconsistent defensive team. They held the Lakers to 22 points in the first quarter. But the Clippers gave up 34 points to the Lakers in the second quarter and 34 again in the third before getting enough stops in the fourth to hold the Lakers to 21 points.

4) The Clippers were outrebounded for the second consecutive game. The Lakers had 40 rebounds, nine offensive. The Clippers had 36 rebounds, six offensive. DeAndre Jordan led the Clippers with 13 rebounds.

5) The Clippers launched 33 three-pointers, making 12 (36.4%). The biggest three-pointer was made by Jamal Crawford off a pass from Griffin, breaking a tie that gave the Clippers a 112-109 lead they would not relinquish.

Twitter: @BA_Turner

Copyright © 2014, Los Angeles Times
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