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Northeast prepares for 'crippling and potentially historic blizzard'

Written By kolimtiga on Senin, 26 Januari 2015 | 22.25

Snowplows at the ready, the Northeast braced for what forecasters warned could be a "crippling and potentially historic blizzard" that could dump up to 3 feet of snow from Philadelphia to Boston starting Monday.

Tens of millions of Americans live in the path of the storm, which is expected to hit New Jersey, New York City, Connecticut, Rhode Island and Massachusetts especially hard. The "nor'easter" could shut down the nation's most densely populated region for days, closing schools and businesses from Monday afternoon through the week, officials warned.

New Yorkers jammed checkout aisles to buy food, water, batteries and snow shovels Sunday after Mayor Bill de Blasio said thousands of workers were preparing for "one of the top two or three largest storms in the history of this city."

In Morningside Heights in Manhattan, shoppers clogged Westside Market's narrow aisles, and checkout lines stretched 20 deep. "It's chaos," manager Nick Glenis said. "You might need shoulder pads today. It's full-contact shopping."

Blizzard warnings from New Jersey to Maine will take effect at midday Monday and were to last through early Wednesday, according to the National Weather Service. Up to 4 inches of snow could fall per hour in some areas, with wind gusts up to 70 mph and some coastal flooding expected.

The powerful storm could slightly reshape parts of the coast, eroding some beaches and creating new inlets, according to the weather service's bureau in Taunton, Mass. Some homes near the ocean could be destroyed and entire neighborhoods isolated, requiring evacuations, forecasters said. Visibility could be so poor that going outdoors could bring disorientation and death.

Governors and mayors across the region called for residents to watch the forecast, stock up on supplies, and check on elderly and disabled neighbors who could be especially vulnerable. Officials began preparing equipment for snow removal and shelters for the homeless.

New York Gov. Andrew M. Cuomo urged commuters to stay home Monday and said the Port Authority, which operates the region's airports, would have cots on hand for stranded passengers. Airlines had canceled more than 1,400 Monday flights by Sunday evening, and more than 1,000 Tuesday flights, according to FlightAware.com.

De Blasio urged residents to stay off the roads and take mass transit if possible to make way for hundreds of salt spreaders and snowplows to treat New York City's 6,000 miles of roads. (De Blasio, a populist Democrat from Brooklyn, was criticized a year ago, during his first month in office, after residents in Manhattan's wealthy Upper East Side complained that snowplows were too slow in sweeping their streets.)

At a news conference, De Blasio displayed a list of snowstorms since 1872 and warned, "We need to prepare for something worse than we've seen before." The city's record for a single storm is just over 26 inches of snow, which came in 2006.

Predictions for a blizzard worsened rapidly over the weekend as forecasters tracked a storm expected to move northward along the Atlantic coast over the next several days. As the storm system travels up the coast, cold air is expected to move down from Canada behind it, causing temperatures to drop.

As with Atlantic hurricanes, which follow a similar pattern, the blizzard's severity will depend on how far off the coast the center of the storm tracks. Forecasters emphasized that the final snow totals could vary considerably depending on the storm's movements over the next 48 hours.

"Although storms can be unpredictable, this storm has the potential to have a significant impact on the state and we need to be prepared," Connecticut Gov. Dannel P. Malloy said in a statement. "Just as the state is monitoring and preparing, the public should do the same."

Boston Mayor Martin Walsh said he had been in "constant communication" with city officials as workers prepared 700 pieces of snow-removal equipment and 35,000 tons of salt.

"Our city has been through blizzards before, and I am confident we are prepared," Walsh said in a statement. He asked Boston residents to do their part by removing snow, slush and ice from sidewalks and curbs.

In New Jersey, Hoboken emergency officials ordered scaffolding removed because of the expected heavy winds.

"My major concern is power outages," Hoboken Police Chief Kenneth Ferrante said. "We still have a lot of above-ground lines. With the heavy snow and 70 mph winds, there's risks of wires being severed and things coming off buildings, scaffolding coming down."

In New York City, which was blasted by Superstorm Sandy in 2012, officials planned to store trains underground to shield them from the weather and to fit buses with snow tires. Officials urged employers to allow workers to adjust their shifts to stay safe from the storm.

But residents greeted the dire forecasts with stressed-out shopping and not a small amount of shrugging.

"It's winter — what do you expect?" Rebecca Quinn said as she closed the Stannard Farm booth at a farmers market outside Columbia University.

At the Fairway Market in West Harlem, Gregory Lorenz, a member of the Metropolitan Opera chorus, said he first went to another Fairway but couldn't get in the door because of the crowd. "It was madness," he said. So he took a taxi to another branch of the supermarket.

But Lorenz said he was not fazed by the blizzard forecast: He was using his family's regular weekly shopping list. "I'm from North Dakota," he said. "I love snow, but a little panic is good for everyone."

At University Housewares and Hardware store in Manhattan, customers were buying batteries, sidewalk salt and ice scrapers to clear their windshields.

"Everyone is going crazy," said Carl Wennerlind as he left with his 8-year-old son, Langston, his 5-year-old daughter, Selma, and two brand-new sleds.

"Mostly we're trying to get food in the house," Wennerlind said, "But we are getting that which is really necessary."

By that, he meant the sleds.

Times staff writer Pearce reported from Los Angeles and special correspondent Haller from New York. Staff writers David Lauter in Washington, D.C., and Molly Hennessy-Fiske in New Jersey contributed to this report.

 

Copyright © 2015, Los Angeles Times

8:23 p.m.: This post has been updated throughout.

4:08 p.m.: Updated throughout with quotes and context.

2:21 p.m.: Updated with a statement from New York Gov. Andrew M. Cuomo. 

1:55 p.m.: This story was updated throughout with additional details.

It was first published at 1:24 p.m.


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SAG Awards 2015: The duds, thuds and wows on the red carpet

We saw dull (Felicity Jones in a blush-pink, off-the-shoulder Balenciaga column), dowdy (Julia Louis-Dreyfus in a subdued black Monique Lhuillier gown with long black lace sleeves) and disappointing (Julianne Moore in an emerald-green beaded Givenchy that lacked that extra oomph).

And we saw more plunge fronts than a water park in high summer.

We also saw a lot of just plain dark outfits, a veritable blackout on an 80-degree day. Lorelei Linklater looked as if she were auditioning for the role of Morticia Addams in a black velvet Honor gown with bell sleeves. Why so serious? It's January in L.A., not New York.

And poor Rosamund Pike, pilloried for her side-scooped white Vera Wang gown at the Golden Globes, didn't even stop to talk to the TV cameras about her ruffled blue high-low Dior gown.

But the SAG Awards red carpet wasn't a total dud.

Reese Witherspoon looked modern and confident in a one-shoulder white Giorgio Armani gown with matte sequin detailing and a deep scoop back. The gown was fitted to perfection, and her sleek ponytail was the right accompaniment. Another white light? Maggie Gyllenhaal in a slinky crepe gown with a sheer bodice panel by Thakoon Panichgul.

Pregnant or not, Keira Knightley was one of the best-dressed in a deep-plum gown by British designer Erdem Moralioglu. The dramatic hue offset the gown's delicate lace tiers.

If you were looking for unusual, Emma Stone wore a Dior design that was one part tuxedo dress, one part sheer ball skirt — altogether sassy and different.

Another cool customer, Claire Danes, chose a Marc Jacobs gown that was anything but standard issue. In olive-drab green, the column dress was embellished with sparkly cabochons. It was a riff on Jacobs' spring 2015 runway collection, which riffed on uniforms of every stripe. And it was the first time I'd seen a Jacobs design on a major awards show red carpet, maybe ever. (Jacobs left his job as creative director of Louis Vuitton after 16 years in 2013 to focus on his own label in New York, and this has to be a feather in his cap.)

When it came to stripes, always a joyful choice for the red carpet when it's nice and warm, Tatiana Maslany wore a side-flounced gown with all-over stripes that recalled beach umbrellas in St. Tropez. The gown was an Oscar de la Renta from 2013. Lupita Nyong'o was thinking along the same lines; she wore a cheery striped and watercolor floral, long sleeve Elie Saab gown.

The biggest fashion risk taker of the night was probably Jennifer Aniston, who chose a vintage gold gown by John Galliano for the simple reason that she'd fallen in love with it, as she told E! Vintage was a big trend on the red carpet in the late 1990s and early 2000s, but lesser so now that luxury labels pay stars big bucks to be walking billboards. Aniston also took a gamble on Galliano, the designer who lost his job at Dior after being caught making racist comments on a camera phone and who recently restarted his career at Maison Martin Margiela.

The dress itself wasn't tremendous, but at least Aniston proved that when it comes to fashion, she's her own woman.

booth.moore@latimes.com

Copyright © 2015, Los Angeles Times
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Monday's TV highlights: 'A Path Appears' and more

Customized TV Listings are available here: www.latimes.com/tvtimes

Click here to download

TV listings for the week of Jan. 25 - 31, 2015 in PDF format

This week's TV Movies


SERIES

Strange Inheritance Cousins find a cache of vintage baseball cards in their great-grandfather's old house in the debut of this series. 6 and 6:30 p.m. Fox Business News

The Bachelor The Los Angeles Chamber Orchestra sets the mood for Chris's romantic evening with one lucky bacherlorette in this episode. 8 p.m. ABC

Top Gear Irish singer-songwriter Ed Sheeran joins the fun in the car-centric show's season premiere. 8:30 p.m. BBC America

Fashion Police Kathy Griffin and company review red-carpet styles at Sunday's Screen Actors Guild Awards. 9 p.m. E!

Ellen's Design Challenge Six contestant vie for a $100,000 prize in this new furniture-making competition from Ellen DeGeneres. 9 p.m. HGTV

Sons of Liberty Paul Revere (Michael Raymond-James) makes his famous midnight ride in Part 2 of this three-night miniseries. 9 p.m. History Channel

Bizarre Foods: Delicious Destinations Andrew Zimmern visits Athens, then Paris, in debut installments of this new spinoff. 9 and 9:30 p.m. Travel Channel

A Path Appears Malin Akerman, Ashley Judd and other stars join New York Times columnist Nicholas Kristof in an effort to raise awareness about gender inequality around the world in this new three-part series. 10 p.m. KOCE

Mud, Sweat and Gears Run-of-the-mill automobiles get extreme makeovers in this new reality competition. 10 p.m. BBC America

SPECIALS

Super Bowl's Greatest Commercials 2015 Former quarterback Boomer Esiason and "American Idol's" Katharine McPhee host this survey of eye-catching ads from big games past. 8 p.m. CBS

The Trip: 2015 Hawaii is the destination for Samantha Brown, Don Wildman, et al., in this special. 8 p.m. Travel Channel

MOVIES

Night Will Fall This new documentary recalls master-of-suspense Alfred Hitchcock's role in creating a filmed record of atrocities committed by the Nazis in concentration camps during WWII; Helena Bonham Carter narrates. 9 p.m. HBO

TALK SHOWS

CBS This Morning MLB commissioner Bud Selig; Regis Philbin. (N) 7 a.m. KCBS

Today Patrick J. Adams. (N) 7 a.m. KNBC

KTLA Morning News (N) / 7 a.m. KTLA

Good Morning America (N) 7 a.m. KABC

Good Day LA America Ferrera; Ben Barnes; Mike Epps. (N) 7 a.m. KTTV

Live With Kelly and Michael Kristen Stewart; Grant Gustin. (N) 9 a.m. KABC

The Wendy Williams Show 9 a.m. KCOP

The View 10 a.m. KABC

The Dr. Oz Show 10 a.m. KCOP

The Doctors (N) 11 a.m. KCAL

The Wendy Williams Show (N) 11 a.m. KTTV

The Talk Mary Steenburgen. (N) 1 p.m. KCBS

Rachael Ray (N) 1 p.m. KABC

The Queen Latifah Show Bob Saget. 2 p.m. KCBS

The Meredith Vieira Show Hines Ward; Suze Orman; Jerry Springer. (N) 2 p.m. KNBC

The Dr. Oz Show Feeling healthier in just 10 days. (N) 2 p.m. KTTV

Dr. Phil (N) 3 p.m. KCBS

Steve Harvey YouTube personality DeStorm Power. (N) 3 p.m. KNBC

The Real Holly Robinson Peete. (N) 3 p.m. KTTV

The Ellen DeGeneres Show Olivia Munn; Keith Urban. (N) 4 p.m. KNBC

Charlie Rose (N) 11 p.m. KVCR, midnight KOCE, 1 a.m. KLCS

The Daily Show With Jon Stewart (N) 11 p.m. Comedy Central

Conan Amanda Peet; Ellar Coltrane. (N) 11 p.m. TBS

Tavis Smiley (N) 11:30 p.m. KOCE

The Nightly Show With Larry Wilmore (N) 11:31 p.m. Comedy Central

The Tonight Show Starring Jimmy Fallon Bradley Cooper; Harry Connick, Jr. 11:34 p.m. KNBC

Late Show With David Letterman Louis C.K.; the Lone Bellow performs. (N) 11:35 p.m. KCBS

Jimmy Kimmel Live 11:35 p.m. KABC

Late Night With Seth Meyers Jessica Lange; Molly Sims; Men in Blazers. 12:36 a.m. KNBC

The Late Late Show Guest host Regis Philbin; Martin Short; Susan Sarandon; Alan Alda; Tony Danza. (N) 12:37 a.m. KCBS

Nightline (N) 12:37 a.m. KABC

Last Call With Carson Daly Megan Boone; Self performs. 1:37 a.m. KNBC

Copyright © 2015, Los Angeles Times
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Angels' Josh Hamilton sets lofty goals after disappointing 2014

Josh Hamilton didn't hesitate Sunday when asked to list his personal expectations for 2015.

"I'm going to say .300, 30 and 100," the Angels left fielder said, referring to average, home runs and runs batted in. "Keep it simple. Those are very attainable."

They were in Texas, when Hamilton hit .305 and averaged 28 homers and 101 RBIs in five seasons (2008-2012) and won American League most valuable player honors in 2010. They've been far out of reach in Anaheim, where Hamilton has struggled since signing a five-year, $125-million deal.

Hamilton, 33, slumped to a .250 average, 21 homers, 79 RBIs and 158 strikeouts in 2013, and he hit .263 with 10 homers and 44 RBIs during an injury-riddled 2014.

After missing almost all of September because of right-shoulder and rib-cage injuries, Hamilton declared himself fit for the playoffs, where he went hitless -- often looking overmatched -- in 13 at-bats in a three-game division series sweep at the hands of the Kansas City Royals.

TBS commentator Gary Sheffield ripped Hamilton for his "bad body language," and fans booed Hamilton at Angel Stadium. Hamilton caught more flak as he cleaned out his locker after the season, telling the Orange County Register, "We don't necessarily play for the people in the stands. We play for each other."

Hamilton, who was in Anaheim on Sunday to bowl in Eddie Guardado's "Stars and Strikes" fundraiser to help children with autism, softened his stance toward the fans.

"Obviously, we love fans coming out, we love the support, they pay our salaries," Hamilton said. "If it was taken the wrong way, I don't want it to be, because we do benefit from and are blessed tremendously by their support. I want to do good for them."

The Angels need more production from Hamilton this season if they are to absorb the loss of second baseman and September cleanup batter Howie Kendrick, who was traded to the Dodgers for top pitching prospect Andrew Heaney.

"The last couple of years have not been good at all," Hamilton said. "You're always looking to improve, and I'm looking to improve a lot more. I can't focus on the last two years because I want to be positive."

Hamilton, who missed much of last April and May because of a torn left-thumb ligament, took three extra weeks off to give his body time to heal. He's been hitting in Angel Stadium, and after tinkering with his swing mechanics in 2014, he said he'll keep his front toe-tap because "it feels comfortable, natural."

Hamilton also hopes to benefit from a six-week reunion with Johnny Narron, his former "accountability partner" in Texas who was hired to be the Angels' triple-A hitting coach.

Narron, who has known Hamilton since he was a child, will be in Tempe, Ariz., for spring training, working with major league hitting coaches Don Baylor and Dave Hansen.

"He's someone I'm comfortable with, and he'll fit in good," Hamilton said. "You get a quality six weeks with a bunch of guys who know a lot about hitting, whose brains you can pick. And having somebody who's seen you since you were 7 or 8 years old, it can't do anything but help."

Copyright © 2015, Los Angeles Times
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Golfer Bill Haas' Humana Challenge victory is pure escapist fare

There is nothing pretentious about pro golfer Bill Haas, except his tendency to get out of tight spots when big money is on the line.

It's time to nickname him. No more just-plain-Bill.

How about Houdini? Or, failing that, Rockefeller?

This annual desert dance, a.k.a. the Humana Challenge golf tournament, came down to the last hole, and a couple of last swings by Haas on Sunday at LaQuinta. It was a finish flush with story angles and drama.

Haas, 32, son of longtime pro star Jay Haas and great nephew of 1968 Masters champion Bob Goalby, stood on the 18th tee at the Palmer Private Course and peered into the distance. On the green, some 550 yards away, was the 11th-ranked player in the world and the highest-ranked player in this tournament, Matt Kuchar.

Haas was 22 under par and had a one-shot lead. Kuchar was 21 under and had about a 10-footer for a birdie that would tie Haas.

Haas waited for the roar that would signify the birdie. None came. Kuchar's putt had barely missed.

That meant that all Haas had to do to win was to make par, just drive it safely, lay up comfortably, and wedge his third shot into two-putt territory.

If you had watched Haas all day Sunday, that seemed a lock. He had taken the lead with an eagle on the par-five sixth hole and added three birdies on the way in, as well as two gut-wrenching par putts on the 15th and 17th, both par threes.

He smiled his way from tee to green. There was no hint of feeling pressure, of impatience, of getting too high or too low.

And then he swung on the 18th tee.

"I was doing everything I could to not go left," he said afterward, alluding to the water there and laughing at himself. "So what do you do? You go right."

More precisely, right onto the fringe of a fairway trap. Had he been able to get a stance there, that would have been OK.

"I'm not good at anything left-handed," he said, dismissing that option, while undoubtedly letting thoughts creep in about a playoff in the waning late-afternoon daylight with five other players.

He decided to climb down into the trap, choke up on an eight-iron and take a swing at a ball resting about waist high in the fringe grass at the top of the trap.

"I knew if I made par, I was going to win," Haas said. "That second shot became pretty key. I could have easily whiffed it, chunked it and moved it five yards. . . ."

Instead, with a semi-baseball swing, he moved it 82 yards down the fairway, where he took out the same eight-iron and hit it 170 yards, over the water, to within two-putt range, 15 feet.

"It felt like a train wreck, something bad was about to happen," Haas said, reliving his decision-making over the trap shot.

It took no less than former President Bill Clinton, here as part of the sponsoring Clinton Foundation and making the trophy presentation afterward on the 18th green, to capture the difficulty of what Haas had done.

"You deserve a world of credit," said Clinton, a golfer himself. "All of us have stood over shots like that where you can choke. You didn't."

When Haas, also the winner here in 2010, rolled in his second short putt after lagging to eight inches, he had a 67 and a one-shot victory with a 72-hole total of 22-under 266. Former winner Charley Hoffman, Brendan Steele, Sung Joon Park, Steve Wheatcroft and Kuchar shared second.

With his escape act, Haas also won first prize of $1,000,026.

That was reminiscent of his even more famous escape act. That occurred in the 2011 Tour Championship. He was in a title playoff, his ball in the water next to the green, and he stepped into the water, somehow got the club through the water and onto the ball, and the ball onto the green. He went on to win both the tournament and the FedEx Cup.

His total payday for that was $11.44 million.

Asked afterward about his Houdini acts, he said, "I put myself in that situation, but when you do that, you've got to come up with something. It's happened before, this improvising, and it didn't work out as well. This was just fortunate."

A day of the usual perfect weather here began with one amazing story possibility and ended with the amazing Haas finish.

Had several of Erik Compton's putts not lipped out, or barely slid past the hole, this Humana Challenge might have been vying for space on the front pages of newspapers, not the sports pages.

Compton is on his third heart — his original and two transplants. He started the day tied for the lead with Haas, Justin Thomas and Michael Putnam. And when he ran in a 45-foot birdie putt on the first hole to take the lead, the story seemed a real possibility.

The Golf Channel quickly ran a recent interview with Compton, and the announcers could hardly contain themselves from rooting for him to win.

Reporters who are trained not to root for teams or results, but for good stories, had one within their grasp. But Compton drove the ball poorly and missed two makable birdie putts in the first five holes to end that story.

He shot two-under 70, finished tied for 10th and summed up his round: "I thought I was pretty pathetic."

In the end, all eyes had turned to Houdini Haas, who was busy unlocking handcuffs with his teeth.

bill.dwyre@latimes.com

Copyright © 2015, Los Angeles Times
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Lakers vs. Rockets: quarter-by-quarter updates

The Lakers rallied in the fourth quarter, trimming a 25-point deficit to the Houston Rockets to 11, but ultimately fell short to lose their eighth consecutive game, 99-87, on Sunday evening at Staples Center.

Playing without center Dwight Howard, the Rockets were led by James Harden, who scored 37 points in 33 minutes. Harden also had eight rebounds and five assists.

Jeremy Lin, Ronnie Price, Wesley Johnson, Ed Davis and Tarik Black spearheaded the Lakers' late, albeit futile, run. Black returned from a two-game absence after spraining his ankle in a loss to the Phoenix Suns.

Coach Byron Scott stuck with a starting lineup of Jordan Clarkson, Wayne Ellington, Ryan Kelly, Jordan Hill and Robert Sacre.

Clarkson struggled, scoring eight points on two-of-10 shooting.  Carlos Boozer led the Lakers with 18 points and 11 rebounds. Lin finished with 14 points, making 10 of 14 free throws.

Ellington scored 13 while Hill each added 10.  Nick Young played only nine minutes, going scoreless on two attempts.

The Rockets shot 40.2% from the field, hitting 13 of 44 from three-point range (29.5%).  None of Houston's starters hit double figures aside from Harden.  Josh Smith and Jason Terry scored 11 apiece off the bench while reserve Corey Brewer added 10.

The Lakers shot 43.% from the field but missed 12 of 13 from behind the arc (7.7%).  They also turned the ball over 21 times to Houston's 14.

Kobe Bryant sat out, potentially lost for the season with a torn rotator cuff in his right shoulder. Julius Randle (leg) and Steve Nash (back) are both out for the year.  Houston played without Howard and starting forward Terrence Jones (leg).

With the loss the Lakers fall to 12-33 on the season.  They'll host the Washington Wizards (30-15) on Tuesday night. The Rockets (30-14) return home to play the Dallas Mavericks (30-15) on Wednesday.

Rockets 80, Lakers 60 (end of third quarter)

Houston won the third consecutive quarter of the game tonight to extend its lead to 20 points heading into the fourth quarter.

James Harden's dominance continued --  he has 32 points scored on 11-of-16 shooting to go with seven rebounds and five assists.

The Lakers made just 39.7% of their shots from the field, with 16 turnovers.  Carlos Boozer leads the team with 16 points; Jordan Hill has 10.

The Rockets shot 44.22% from the field while making 11 of 33 three-point attempts (33.3%).  The Lakers hit just one long-range shott in 11 tries (9.1%).

Harden was the only player on his team in double figures, although Patrick Beverley, Trevor Ariza and Josh Smith each scored nine.

Rockets 52, Lakers 36 (halftime)

James Harden continued to be a problem for the Lakers, scoring 20 points in 17 minutes on eight-of-10 shooting.

Houston made eight of 18 (44.4%) three-point attempts, holding a comfortable lead throughout the first half.

Carlos Boozer scored 10 off the bench and Jordan Hill added eight to lead the Lakers, who shot 36.4% from the field.

The Lakers turned the ball over 12 times in the first half while missing all eight three-point attempts.

Houston had nine turnovers.  After Harden, no other Rocket scored more than six points.

Rockets 30, Lakers 15 (end of first quarter)

Despite playing without Dwight Howard, Houston jumped out to an early 15-point lead over the Lakers after a quarter.

James Harden made five of six shots for 13 points. He also has four assists,

Jordan Hill has four points to lead the Lakers, who are shooting only 31.3% from the field.

Houston shot 52% from the field, making five three-pointers. The Lakers missed all five shots they attempted from behind the arc.

After sitting out the Lakers' loss on Friday to the San Antonio Spurs (Coach Byron Scott's decision), Jeremy Lin played four minutes in the first quarter, finishing with a point and an assist.

Pregame

The Lakers (12-32) will play Sunday night against the Houston Rockets (30-14), still awaiting word on Kobe Bryant's fate with a torn rotator cuff.

The Rockets aren't expected to have center Dwight Howard (ankle) and forward Terrence Jones (leg).

Also for the Lakers, Tarik Black (ankle) is doubtful while Julius Randle (knee) and Steve Nash (back) are out for the season.

For an in-depth breakdown, check out check out Preview: Lakers vs. Rockets.

Email Eric Pincus at eric.pincus@gmail.com and follow him on Twitter @EricPincus.

Copyright © 2015, Los Angeles Times
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Jason Brown wins U.S. figure skating championship

From the moment four years ago at the U.S. Figure Skating Championships that Jason Brown first showed impressive potential, he talked about following the example of another skater from suburban Chicago.

Sunday, he joined Evan Lysacek as a national champion by emulating what impressed Brown most about his predecessor.

"Something about Evan that was so incredible was his work ethic and the way he was so consistent," Brown said. "Every time he went out to perform, he was a competitor. He was ready to do what it took to do the best he could."

But there is a risk if Brown thinks he can follow in all of Lysacek's footsteps.

Brown, 20, took the title despite finishing second in the free skate to Adam Rippon, despite not trying a quadruple jump, despite having just one clean triple axel. No matter that Brown's spins and footwork were wonderful in an action-packed 41/2 minutes, a free skate of that technical level will have no chance at winning medals at the world championships or the Olympics.

It is true that Lysacek won the 2010 Olympics and 2009 worlds without a quad. But the sport has changed significantly since then, with rules offering less risk and more reward for trying the quad. Many top foreign skaters are successfully doing the jump multiple times over the short program and free skate.

Rafael Arutunian, who coaches Rippon and women's champion Ashley Wagner, worries that seeing how Brown won this title will encourage other U.S. skaters to shun challenge for comfort.

"This will tell them you can win and do only one hard element," Arutunian said. "It's a bad message."

Not since 2009 has a man won the U.S. title without landing a quad, let alone not attempting one. Brown was the only one of the top-10 overall finishers this year who did not do a quad.

Lysacek actually landed quads in winning a U.S. title in 2007, and he tried them in 2008. He later eschewed quads because of erratic results and because he could work the system then in place for enough points to be a title contender without it.

Two seasons ago, when Brown finally landed a triple axel, he vowed to begin working on quads. But he has yet to try one in competition, insisting he will wait until he can do the jump consistently in practice.

Brown's nearly nine-point lead over Rippon after Friday's short program — in which none of the top three tried a quad — proved enough for him to win by 2.5 points with a score of 274.98, highest overall at a U.S. championships. Joshua Farris was third, seven points behind Brown; Max Aaron took fourth; and four-time champion Jeremy Abbott took fifth, his lowest finish in nine appearances at senior nationals.

The three medalists qualified for the world championships in March.

Rippon, 25, put the hardest quad possible, the lutz, in both of his programs. That he did not complete the revolutions on either cost him points but fulfilled his goal of being perceived as more than an underachieving artist on the ice.

"After the Grand Prix [season], I knew I needed to put the quad in," Rippon said. "I wanted to come here and not only show I was ready for the U.S. championships but that I was ready for the world championships and ready to fight for a spot on the world podium.

"I know when we go out internationally, there are going to be quads out there, and I feel like somebody who goes out there with a quad lutz sounds pretty threatening."

Farris, 20, fourth at the previous two nationals, got full base value credit (10.3) for a quad toe, losing 1.13 points for a wonky landing. The points he threw away by getting a zero for a jump element because it included his third double toe loop of the program (only two are allowed) were the difference between third and first.

"I may be kicking myself now," FarrIs said, "but it will keep me determined to improve."

Brown, ninth at the 2014 Olympics, has been concentrating on improving all phases of his skating rather than working on a quad.

The question of whether he will master it remains uncertain. He also has done just five clean triple axels in nine attempts on the Grand Prix circuit and nationals this season, falling on two of the other four.

"If I was maxed out on everything beside jumps, I would put more emphasis on the quad," Brown said.

Brown cannot max out his medal-winning potential without one.

phersh@tribune.com

Twitter @olyphil

Copyright © 2015, Los Angeles Times
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No. 12 Utah beats Washington, 77-56

Dakarai Tucker scored a career-high 19 points, Brandon Taylor added 14 and No. 12 Utah beat Washington 77-56 on Sunday night.

Tucker and Taylor combined to make eight 3-pointers to give the Utes (16-3, 6-1 Pac-12) their 15th straight home victory dating to last season. All six of Utah's Pac-12 conference wins have come by double-digit margins.

Andrew Andrews had 19 points to lead Washington. Robert Upshaw chipped in 13 points, nine rebounds and five blocks for the Huskies (14-5, 3-4) who snapped a three-game winning streak.

Strong shooting helped Utah lead from the start. The Utes shot 28 for 52 (54 percent) from the field, including 11 for 18 (61 percent) on 3s.

Utah made baskets on its first four possessions to open the game — highlighted by a 3-pointer from Jordan Loveridge that gave him 1,000 points for his career at Utah. It helped his team take a 10-2 lead.

Delon Wright stole the ball and fed Tucker for a layup to give the Utes their first double-digit lead at 18-7. Utah eventually went up 29-14 on the strength of back-to-back 3-pointers from Tucker and Loveridge.

Washington climbed back into the game behind strong perimeter shooting from Andrews. He made all four 3-pointers he attempted in the first half. The final one capped a 12-2 run that helped the Huskies cut Utah's lead to 31-26.

The Utes scored baskets on their next three possessions — including back-to-back layups from Jakob Poeltl — to halt the run and push their lead back to nine.

The Huskies cut the deficit to 43-38 early in the second half on three unanswered baskets — capped by a jumper by Upshaw. That's as close as it got before Utah pulled away from the perimeter.

Starting with a jumper from Loveridge, the Utes went on a 23-3 run to put the game out of reach. Utah scored on seven straight possessions during the run — highlighted by three straight Tucker 3-pointers — and took a 66-41 lead with 9:43 remaining.

TIP INS

Utah: Loveridge became the 37th player in Utah history to score at least 1,000 career points. The most recent Ute player to do it was forward Jason Washburn in the 2012-13 season. … The Utes assisted on 12 of 14 baskets in the first half. … Utah has won all five Pac-12 home games by an average margin of 24.8 points per contest.

Washington: Before facing Utah, the Huskies had won all five games where they trailed at halftime this season. Three of those victories came on the road. … Huskies center Robert Upshaw leads the nation in blocked shots (4.4 per game). Washington rank sixth nationally in the category with 6.7 blocks per contest.

UP NEXT

Utah: At UCLA on Thursday.

Washington: Hosts Stanford on Wednesday.

Copyright © 2015, Los Angeles Times
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The pleasure of Debbie Reynolds' company

Written By kolimtiga on Minggu, 25 Januari 2015 | 22.26

During her near-seven decade film career, Debbie Reynolds not only got to sing and dance opposite Gene Kelly in the beloved 1952 musical "Singin' in the Rain" but also partnered with Fred Astaire in the 1961 romantic comedy "The Pleasure of His Company."

"Fred Astaire was retired when he worked in 'The Pleasure of His Company,'" she recalled. "They were lucky to get him to play the father part. He only had a little dance at the wedding. He said to me, 'You don't worry about dancing. Just relax and let me lead you. Let me guide you."'

And Reynolds did.

"I just floated around the table," said Reynolds, 82. "We didn't make one mistake, at least not that I remember. We did it in one take. We just danced like little birds of a feather flocked together. I had the pleasure of his company. He was a joy."

FULL COVERAGE: SAG AWARDS 2015

After the film was completed, she presented Astaire with a most unusual gift.

"I gave him a jeweled jock strap," she said, smiling. "It is very precocious and sounds fresh and smart aleck, but I meant it as a lovely, funny gesture. He laughed for an hour."

Sunday evening, Hollywood will pay tribute to Reynolds with the Screen Actors Guild Life Achievement Award during the telecast of the 21st SAG Awards on TNT and TBS. Daughter Carrie Fisher will be giving her the honor.

"I asked her if she would be in town because she was doing 'Star Wars,'" Reynolds said, smiling. "She said yes, she will!"

Reynolds was holding court on a cold afternoon in her cozy guest house on Fisher's property in Beverly Hills. Sipping a cup of tea, Reynolds was joined on the sofa by her fluffy white Coton de Tulear dog, Dwight.

Despite having been under the weather, Reynolds was filled with stories about the Golden Age of Hollywood. She even performed part of "Moses Supposes" from "Singin' in the Rain."'

Reynolds' career began when she was signed by Warner Bros. after winning the title of Miss Burbank at 16. She was an uncredited extra in the 1948 film "June Bride" and then she was cast in the 1950 musical "The Daughter of Rosie O'Grady," playing June Haver's younger sister.

"Jack Warner said, 'What am I going to do with the kid? I am not going to do any more musicals,'" Reynolds said.

But MGM was.

Warner casting director Solly Baiano drove her in his Cadillac — "I had never been in a Cadillac," the actress recalled — to MGM, where she met with producer Jack Cummings, who cast her as singer Helen Kane in "Three Little Words" from 1950.

"Mr. Mayer saw it," Reynolds said of MGM studio head Louis B. Mayer. "He said, 'I like the kid.' He called Jack Warner and said, 'Thanks for sending me the kid. I am going to use the kid.'"

She had a more substantial role in the 1950 Jane Powell musical "Two Weeks With Love," with newcomer Carleton Carpenter. Their performance of the novelty song "Aba Daba Honeymoon" was such a hit that MGM sent the two out on tour performing between movie screenings.

"They wanted us to learn how to perform on stage," she said. "We did five shows a day. We would sing like three numbers. That was the start of my career and Carleton's career. It was fun."

Reynolds moved quickly from supporting role to female lead opposite Kelly and Donald O'Connor in "Singing' in the Rain." It was producer Arthur Freed, she said, who was willing to take a chance on her, especially when she wasn't a trained dancer.

SAG AWARDS 2015: Complete listNominee reactions | Presenters

Reynolds laments the lack of movie musicals today. She doesn't think of the current hit "Into the Woods," based on Stephen Sondheim's Broadway classic, as a musical. ("It's a tribute to his lyrics," she said. "It's brilliant. It's a tribute to his creativity, but that is not what I call a musical.")

Reynolds got to show her dramatic side in a few films, including the 1956 drama "The Catered Affair" with Bette Davis, Ernest Borgnine and Rod Taylor.

The shoot was not a pleasant experience because director Richard Brooks "hated" her, Reynolds said.

"I was dating Eddie Fisher, and it upset him," she said. "He called me Little Miss Hollywood. He didn't think I could act at all, and he didn't give me any chance. Bette Davis really helped me and coached me and got me along. Everybody was nice but Richard Brooks."

She also had issues with Charles Walters, who directed her to her only Oscar nomination in the 1964 musical "The Unsinkable Molly Brown."

"He didn't want me. He wanted Shirley MacLaine," Reynolds said, adding that contractual issues prevented MacLaine from taking the role.

"I have often stated that Walters came to my house, met with me and told me of his disappointment. He said, 'You are totally wrong for the part.' I said, 'No, I'm not. I am exactly right for the part."'

She credits her acting coach at MGM, Lillian Burns Sidney, for her help during the production and working with her "every night" with co-star Harve Presnell.

"You have to believe in yourself," she said. "All the training at MGM came to be a great help for me on 'Molly Brown.' I couldn't miss with all my background. I remember Gene Kelly yelling at me 'Smile!' while I'm dancing. 'Smile one more time.' You become a work horse."

SAG AWARDS 2015: Behind the scenes | Video: Hollywood sessions

Six weeks into the production, Walters changed his opinion.

"He came to me and said: 'I have to admit that I was wrong. You are playing the role really well. I'm pleased,'" Reynolds said. "He directed me very well after that."

Reynolds received acclaim two years ago for her role as Frances Liberace, the flamboyant pianist's mother, in the award-winning HBO movie "Behind the Candelabra," directed by Steven Soderbergh.

"I knew Mrs. Liberace," Reynolds said. "Lee and I were great friends. I know the whole inside story."

Soderbergh, whom she said couldn't have been "more adorable" to her, had asked to meet with Reynolds at a hotel bar in Beverly Hills to discuss the role. Reynolds decided to dress the part.

"I put on my mother's clothes and a wig — an old lady wig with a bun," she said. "I was sitting there in my costume. He looked around and saw me, but he didn't acknowledge me. Then he realized it was me sitting there!"

------------

Ten must-see Debbie Reynolds movies on DVD or streaming services:

"Two Weeks with Love" (1950)

"Singin' in the Rain" (1952)

"I Love Melvin" (1953)

"The Tender Trap" (1955)

"The Rat Race" (1960)

"How the West Was Won" (1962)

"The Unsinkable Molly Brown" (1964)

"Mother" (1996)

"In & Out" (1997)

"Behind the Candelabra" (2013)

susan.king@latimes.com

Copyright © 2015, Los Angeles Times

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Colorado seeks permission to grow pot at state universities

After years of trying to stamp out marijuana use on college campuses, Colorado officials are now asking the federal government to allow its state universities to grow their own pot.

The reason, they say, is that the legalization of the drug here has raised questions about its health effects, questions that can only be answered by studying large amounts and different strains of marijuana.

But researchers face bureaucratic hurdles in scoring pot from the one federally approved marijuana farm, a 12-acre facility at the University of Mississippi's National Center for Natural Products Research.

In a letter to federal regulators last month, Colorado Deputy Atty. Gen. David Blake said research into the "medicinal value or detriment of marijuana, particularly those strains not grown and made available by the federal government, have become important to the national debate over marijuana legalization."

Current research, he said, is "riddled with bias or insufficiencies" and federal help is needed to fill in the gaps.

Colorado specifically wants its state universities to contract with the National Institute of Drug Abuse (NIDA), which operates the pot farm, for expanded research on marijuana — namely, by being allowed to grow their own weed.

"We are basically seeking permission for an activity that has been banned for 70-plus years," said state Rep. Dan Pabon, a Democrat who helped craft the state's marijuana laws. "Universities are generally where the best research takes place so why not have the best and brightest working on discovering not only the dangers but also the therapeutic benefits of marijuana?"

He called the Mississippi pot farm a vestige of times past.

"But any time you engage in federal research, you need to abide by federal guidelines, so we need to be sure not to penalize the places that do this research," he said.

As Colorado's retail and medicinal marijuana markets have grown, so have a host of unanticipated health issues. The state has struggled to regulate edible pot to prevent overdoses while at the same time showing increasing interest in the potential benefits of cannabis.

"The conversation is changing," said Teri Robnett, a member of Colorado's Medical Marijuana Scientific Advisory Council, which helps oversee and evaluate cannabis research grants. "We have hospitals using cannabis therapy for epilepsy. What kind of epilepsy does it work best on? The only way we can find out is through research, but until we can grow our own marijuana all researchers have to go through NIDA."

Last month, the advisory council awarded $8 million in research grants to study the effect of pot on Parkinson's disease, epilepsy and post-traumatic stress syndrome.

"Hopefully, if NIDA can't provide what we need for those experiments they will let us use marijuana grown here," Robnett said.

The letter from the Colorado attorney general's office went to the heads of five federal agencies including the Department of Health and Human Services, the Department of Education and the National Institutes of Health.

"We need the support of our federal partners to overcome the inertia that continues to complicate state efforts in this area," the letter said. "We are committed to working with you in devising a system that will permit research and study in a safe, highly controlled and regulated manner."

Kelly is a special correspondent.

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