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Guy Scott, who is white, becomes Zambia's president with death of Sata

Written By kolimtiga on Rabu, 29 Oktober 2014 | 22.26

Guy Scott, famous in Zambia for his jocular, outspoken – and sometimes undiplomatic – tongue, became the nation's acting president Wednesday, sub-Saharan Africa's only current white head of state.

Scott took office after the death of President Michael Sata in London late Tuesday, amid questions about whether he can run for the office in coming elections.

Sata had appointed defense minister Edgar Lungu as acting president before departing for medical treatment in Britain. Sata's Patriotic Front, reportedly in chaos, has been jostling over the succession while the president was sidelined by poor health.

But Section 38 of Zambia's constitution is clear that when a president dies in office, the vice president becomes acting president, before calling a presidential election within 90 days.

Zambia's constitution also has a clause that a president must be born of Zambian parents. Scott was born in Livingstone, when the country was still Northern Rhodesia, the son of a Scotsman and an English woman.

But in previous rulings on the question of presidential parentage, Zambia's Supreme Court has found that people who lived in Northern Rhodesia and became citizens at independence were eligible to be president because there was no Zambia their parents could have lived in before 1964.

Scott has been at times controversial as vice president, angering the regional powerhouse, South Africa, which last year summoned the Zambian ambassador to explain remarks the vice president made in a newspaper interview that he pitied the advisors of South African President Jacob Zuma and "hated" South Africans who were "backward."

Scott, appointed vice president in 2011, said in the 2013 Guardian interview that black South African leaders behaved like their white predecessors and compared Zuma with the last white South African president, F.W. de Klerk, who lost office when Nelson Mandela's African National Congress swept to power in 1994.

The departure of De Klerk marked the last time a white man was the head of state in sub-Saharan Africa until Wednesday.

In 2012, Scott told The Spectator that former U.S. President George W. Bush "thought they were kidding" when Scott was introduced to him as vice president.

When he was elected in 2011, Scott said there had been no hint of resentment at a white man becoming vice president.

Sata died in a London hospital with his family at his side. There was anger in Zambia that the government concealed Sata's still-unidentified illness after a statement last week that he was going abroad for a "medical checkup."

Sata, rarely seen in public since last May, missed a speech at the United Nations last month and the country's 50-year independence celebrations last week.

Follow @robyndixon_LAT on Twitter for news out of Africa

Copyright © 2014, Los Angeles Times
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Carowinds' Fury 325 joins an elite club of world's tallest coasters

The $30-million Fury 325 coming to Carowinds in 2015 will be among the fastest, tallest and longest roller coasters in the world.

Set to debut in spring 2015, the 325-foot-tall giga coaster will fly over and under a new entrance plaza planned for the amusement park located on the North Carolina-South Carolina state line.

Built by Swiss-based Bolliger and Mabillard, the Fury 325 will reach a top speed of 95 mph over a 6,600-foot-long track featuring airtime hills and overbanked turns.

After climbing to the top of the 32-story lift hill, riders will descend an 81-degree first drop into a 190-foot-tall barrel turn and a high-speed S-curve.

After racing over Carowinds' front gate, Fury will whip around a 157-foot-tall, 91-degree overbanked horseshoe turn before diving under a pedestrian bridge near the entrance plaza.

Following a 101-foot-tall curve and a 111-foot-tall hill, the last leg of the ride concludes with a double helix carousel and a pair of camelback hills.

Fury's hornet-and-hive theme pays tribute to the nearby North Carolina city of Charlotte, which was dubbed a "hornet's nest of rebellion" during the Revolutionary War. Fury's teal and white track also makes a sartorial nod to the colors of Charlotte's NBA basketball team, which reclaims the Hornets name this season after playing as the Bobcats for a decade.

Billed as the world's tallest and fastest giga coaster (a high-speed inversionless coaster exceeding 300 feet), Fury will surpass the 318-foot-tall Steel Dragon 2000 and tie the Japanese ride for top speed at 95 mph. Ranking near the top of the record books in several categories, Fury will be the fifth tallest, fifth longest and sixth fastest roller coaster in the world.

The new ride will also become the world's tallest coaster with a traditional chain lift; the four taller rides are all launch coasters. That means you'll have exactly 63.58 seconds to think about just how tall Fury is as you ascend to the top of the lift hill.

At 325 feet, Fury joins an exclusive club of coasters taller than 300 feet: Kingda Ka (456 feet), Top Thrill Dragster (420 feet), Superman: Escape from Krypton (415 feet), Tower of Terror II (377 feet), Steel Dragon 2000 (318 feet), Millennium Force (310 feet), Intimidator 305 (305 feet) and Leviathan (305 feet).

Joining 2013's Gatekeeper at Ohio's Cedar Point, Fury 325 becomes the second coaster to be incorporated into a new front entrance at a Cedar Fair park. Which raises the question: Which location in the amusement park chain will get the next coaster-gate? The strongest contenders: Knott's Berry Farm, Canada's Wonderland, Kings Island and Kings Dominion.

Follow the Los Angeles Times Funland theme park blog on Twitter, Facebook and Google+.

Copyright © 2014, Los Angeles Times
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Fiat to spin off Ferrari

Fiat Chrysler Automobiles is parting ways with its high-end subsidiary brand Ferrari.

The global auto giant announced in London on Wednesday that it will hold an initial public offering to sell off 10% of the legendary Italian marque and distribute the remaining 90% of the company to its current shareholders.

The shares will be listed on a U.S. exchange and possibly a European exchange, the company said.

Fiat, which acquired Ferrari in 1969, had been expected to do something with its racing-red luxury division. Last month, following reports of division in upper management, Ferrari's longtime chief executive and chairman, Luca de Montezemolo, left the company after a 23-year run. He was succeeded by Sergio Marchionne, CEO of parent company Fiat.

The two men were said to have clashed over Ferrari's relatively poor performance on the race circuit and over their differing visions for Ferrari's future.

Analysts foresaw a new day for the storied luxury label, one that might include more down-market or affordable Ferraris.

This move may resolve that issue.

"I am delighted to have taken this additional step in the development of FCA," said parent company Chairman John Elkann. "Coupled with the recent listing of FCA shares on the NYSE, the separation of Ferrari will preserve the cherished Italian heritage and unique position of the Ferrari business and allow FCA shareholders to continue to benefit from the substantial value inherent in this business."

Fiat Chrysler, a combination of the Italian and American sides of the two historic brands, was formed in January and began trading on the New York Stock Exchange on Oct. 13.

The world's seventh-largest automobile maker, Fiat reported pre-tax third quarter earnings of $1.18 billion, up 7% from its performance a year earlier.

Fiat shares climbed 12% on the spinoff news in early trading.

Follow me on Twitter: @misterfleming

Copyright © 2014, Los Angeles Times

7:58 a.m.: This post has been updated with Fiat's stock price.

This post was first published at 7:46 a.m.


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Reward offered in road rage killing of Oakland mother of four

Police have offered a $30,000 reward in the case of an Oakland mother of four who was gunned down in a road rage incident after leaving a grocery store.

Oakland police and Crime Stoppers of Oakland are seeking the public's help with finding 30-year-old Perla Avina's killer.

Avina leaves behind her husband, three daughters and a son.

She was sitting in the passenger seat of black Toyota Camry just after 12:30 p.m. Sunday while her husband was driving in the 600 block of 98th Avenue, according to the Oakland Police Department.

KTVU reported the couple was heading home after a grocery run when at some point there was a confrontation with the shooter.

The public has already donated more than $32,000 to a gofundme page created to help her family pay for the funeral.

Anyone with details about the case is urged to call the Police Department's Homicide Division at (510) 238-3821, or Crime Stoppers of Oakland at (510) 777-8572.

For breaking news in California, follow @VeronicaRochaLA. She can be reached at veronica.rocha@latimes.com.

Copyright © 2014, Los Angeles Times
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USC football morning report: Penalty problems

Stat of the day: With 8.8 penalties per game, USC ranks 118 out of 125 major college football teams. Seven of the 20 most-penalized teams are in the Pac-12 Conference.

USC plays Washington State on Saturday at Martin Stadium in Pullman, Wash.

The Trojans fell to 5-3 overall and 4-2 in Pac-12 conference play after a 24-21 defeat last Saturday at Utah.

Arizona beat Washington State, 59-37, in Pullman. The Cougars are 2-6, 1-4.

On The Times:

Around the Web:

Questions or comments about USC? Email me at LNThiry@gmail.com or tweet @LindseyThiry and I will respond to select emails in the weekly USC Now mailbag

Copyright © 2014, Los Angeles Times
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Small aircraft to take to Palm Springs' streets for Parade of Planes

Small airplanes will taxi down Palm Spring's streets on Thursday in an annual Parade of Planes that begins a three-day aviation expo in the desert city.

Pilots who attend Aviation Expo 2014 can drive their planes from the airport to the Palm Springs Convention Center where the event is held. Visitors can watch the parade from 10 a.m. to noon as aircraft whir their way for about a mile along East Alejo Road and North Avenida Caballeros.

The planes will be on display 10 a.m. to 5 p.m. Friday and Saturday and 10 a.m. to 2 p.m. Sunday before they reverse the parade route from 2 to 4 p.m. and return to the airport.

Seminars at the expo cover topics as diverse as "10 Ways Your iPad Can Cause an FAA Violation or Accident" to "Aviation and the Neurology of Thinking."

Among the keynote speakers: Brian Shul, a pilot who flew the SR-71 Blackbird spy plane and who was inducted into the Air Force Legends Hall of Fame in 2011.  Advance tickets to the expo cost $45 for one day to $240 for three days. (Tickets at the door cost more.)

While you're in town, plan to make a stop at the Palm Springs Air Museum to see all kinds of aircraft, including World War II fighter planes.

Info: Aviation Expo 2014

Copyright © 2014, Los Angeles Times
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The shame of Mississippi, where racism and stupidity killed Obamacare

From Politico and Kaiser Health News comes this jaw-dropping look at Mississippi, the national graveyard of the Affordable Care Act's promise.

"There are wide swaths of Mississippi where the Affordable Care Act is not a reality," Conner Reeves, who led Obamacare enrollment at the University of Mississippi Medical Center, told me when we met in the state capital of Jackson. Of the nearly 300,000 people who could have gained coverage in Mississippi in the first year of enrollment, just 61,494 — some 20 percent — did so. When all was said and done, Mississippi would be the only state in the union where the percentage of uninsured residents has gone up, not down."

The author, Kaiser Health News correspondent Sarah Varney, ascribes the state's failure to errors, ignorance, racism and tea party-style ideology, among other distasteful qualities. The majority of the 138,000 Mississippians left stranded by the state's refusal to opt in to Medicaid expansion are black. Hospitals, which were counting on the expansion to make up for federal funding they'll be losing as the ACA takes hold, are unable to serve the uninsured even as charity cases.

What makes Mississippi typical among Medicaid-refusing states is that its health statistics are dismal. What makes it stand out is that its socio-economic statistics are the worst in the nation. Varney again: "It's hard to find a list where Mississippi doesn't rank last: Life expectancy. Per capita income. Children's literacy."

Even before opting out of Medicaid expansion, the state's Medicaid standards were medieval. Adults aren't eligible unless their household income is 22% of the federal poverty line or less. For a family of four, that's $5,544 a year. Only one state is lower: Alabama.

The Mississippi story documents what can happen when a state's privileged elites are determined to undermine a social program. Contrast that with the experience of Kentucky, where the state's (Democratic) governor, Steve Beshear, pushed aggressively to implement the law and ended up with what may be the nation's best record for covering the uninsured. And Mississippi Gov. Phil Bryant has the gall to assert the ACA is "a large burden" for his state.

Don't let it be said that Mississippi is resting on its laurels. As Roy Mitchell, the executive director of the struggling Mississippi Health Advocacy Program, told Varney, "We work hard at being last."

Keep up to date with the Economy Hub. Follow @hiltzikm on Twitter, see our Facebook page, or email mhiltzik@latimes.com.

Copyright © 2014, Los Angeles Times
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Woman in NYC counts getting more than 100 unwanted catcalls in one day

Britney Spears is getting her own holiday. Nov. 5 has been declared Britney Day on the Las Vegas Strip. [People]

Catcalls are still a hazard for women walking around New York. To prove the point, a woman walked the streets of the city for 10 hours, dressed in jeans and a crewneck T-shirt. She reported getting catcalled and otherwise verbally harassed 108 times. There's a video that shows what she went through. [The Cut]

Former Vogue editor at large Andre Leon Talley is leaving online shoe retailer Zappos, where he had been artistic director since late last year. Zappos decided not to renew his contract, and he is pursuing other endeavors. [WWD]

New mom Mila Kunis, global ambassador for Gemfields, has designed an emerald ring for moms. [Stylelist]

Former Young & Rubicam ad executives Jacques Bungert and Frédéric Torloting are trying to revive the house of André Courrèges, one of the hottest designers of the 1960s.  They opened a Courrèges store in Paris this month. [The Cut]

Copyright © 2014, Los Angeles Times
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'Once Upon a Time': Family ties drive action in 'Breaking Glass'

Written By kolimtiga on Senin, 27 Oktober 2014 | 22.26

There's a two-way mirror, ongoing reconciliation (SwanQueen mishaps) and a look back at Emma during her teen years in the "Breaking Glass" episode of "Once Upon a Time."

A box of items from Emma Swan's childhood brings back memories. In a '90s Minnesota, a rebellious 15-year-old orphaned Emma has run away from yet another unsatisfactory group home. She promptly finds herself in trouble when she's caught shoplifting. A girl, Lilith, helps her out of the spot, and the two become fast friends. Turns out Lily also has a bad homelife situation, which Emma takes to mean Lily is homeless as well, and they bond while giggling, videotaping themselves and working out survival plans. Mostly.

Back in Storybrooke, Emma's actual parents are going to go on a date night while Belle watches over Prince Neal. That can't be the norm, though -- this is Storybrooke. Will Scarlet, the thief of thieves, breaks out of the town jail, and Snow and David use their date night to track down the library-squatting thief.

Meanwhile, adult Emma is trying to find two people. Sidney Glass, who she finds took some photos of her that she can't remember. Regina says she can't help her find Sidney -- she doesn't know where he is. Gasp! She lied, and Emma didn't pick up on it. Oh well, Emma's on to the next missing person: Elsa.

Elsa thought that she could somehow face the Snow Queen by herself. Nope, not while she fears her own powers -- something that was instilled in her years ago. Ice chains keep her hostage in the forest. While Emma is looking for Elsa and the Snow Queen by foot in the forest, Regina uses Sidney Glass, the Magic Mirror, as a magical lo-jack. Though she, at first, didn't want to help Marion, she realizes she'll need the Snow Queen to save her.

Emma and Regina cross paths and, reluctantly for Regina, team up to find and stop the Snow Queen. Travel-sized Sidney (in Regina's makeup compact mirror), leads them to ... an ice bridge? Sure, that looks safe to go over. Really, Regina? Winds blow, and the bridge begins to collapse. Uh-oh. It was a trap. Sidney has apparently switched sides?! He's now working for the Snow Queen.

And that wasn't even the strangest thing. Once Regina and Emma jump clear of the bridge, a huge ice samurai guard attacks. Regina blows parts of it up and Emma smashes it against a tree with their magic, but it reforms itself. Emma and Regina combine their attack, liquifying the ice creature.

That's when the Snow Queen shows up. She takes Regina's compact, and Darth Vaders the duo (holding them airborne while choking them from afar). Then she's blasted off her feet. Elsa has gained a measure of control over her fear of her powers, and is ready to fight the Snow Queen -- but she disappears after telling them that the compact is all she really wanted anyway. After all of that, Regina teleports away before she and Emma can even have a heart-to-heart talk. Elsa tells Emma not to give up on Regina, and it rekindles a memory.

Back in the '90s, young Emma and her new friend Lily -- who have since been living in an abandoned house -- are found by a strange man. The man is Lily's father, who's been out looking for Lily. Emma feels betrayed by her friend, who actually had a family and was just lying about her homelessness. Lily wants to remain friends, but Emma walks away, leaving her fast friend in tears.

But now, in the present, Emma won't walk away from Regina like she did Lily. She has a talk with Regina, saying that she didn't pity her, but just wanted to be friends. Not only because of Henry, but because they're more similar than either would've cared to admit. She's right, and begins thawing out the Evil Queen's heart. Regina doesn't want to kill Emma anymore! Yay?

The Snow Queen, having gotten what she needed, sets Sidney free from the mirrorverse. She really only needed a sliver of the Evil Queen's mirror to add to her own. Who knows what exactly she's planning, but we do know it involves getting her family back together.

Her family? Seems odd, until we see a videotape, taken from Emma's box of memories. Hook has come over to console Emma since she's feeling down. They watch the videotape and see her friend Lily, but in a scene on the tape that Emma doesn't remember at all, the Snow Queen appears. Looks like Emma was part of her family -- albeit a foster family (?) -- at some point in the past.

Copyright © 2014, Los Angeles Times
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Home of the Day: New design aesthetic in Westwood

Sitting 18 stories above Westwood, this new offering at the Carlyle Residence pairs a polished contemporary design with jetliner views stretching as far as the Santa Monica Mountains. Interiors by Cantoni include samples from the designer's Dress Code and Love Letters collections, set off by chrome accents and vintage photography of iconic Hollywood figures.

Location: 10766 Wilshire Blvd., #1801, Los Angeles, 90024

Asking price: $3.425 million; $3.22 million unfurnished

Year built: 2010

Architects: KMD Architects

Designers: Cantoni, Fendi Casa

House size: 2,837 square feet, two bedrooms, 2.5 baths

Features: Floor-to-ceiling glass, direct elevator, Miele kitchen, formal living room, dining room, master suite with walk-in closet, office, service entrance, laundry room, wine storage, private storage closet, dedicated parking spaces

Building amenities: 24-hour concierge service, valet, pool, temperature-controlled wine cellar, fitness center, lounge, salon, private dining room, outdoor fireplace

About the area: Last year, there were 97 single-family homes sold in the 90024 ZIP Code at a median sale price of $1.707 million, according to DataQuick. That was a 13.8% increase year-over-year.

Agents: Erin O'Connor, (310) 209-0000; Jennifer Bittel, (213) 814-7234; Mauricio Umansky, (424) 230-3701; all with the Agency

To submit a candidate for Home of the Day, send high-resolution color photos via Dropbox.com, permission from the photographer to publish the images and a description of the house to neal.leitereg@latimes.com.

Copyright © 2014, Los Angeles Times
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A brilliant start to Esa-Pekka Salonen's L.A. Phil residency

Esa-Pekka Salonen returned Friday night to the Los Angeles Philharmonic for his annual fall residency with the orchestra at Walt Disney Concert Hall. This time, he really returned.

He is once more an Angeleno, having moved from London back to Santa Monica this year. Although his main gig remains as principal conductor of London's Philharmonia Orchestra, the L.A. Phil, which Salonen led for 17 years and of which he has been conductor laureate for five, still sounds like his when he conducts it. Salonen left no doubt about his history with the orchestra in Friday's brilliant program.

The big piece, Sibelius' "Lemminkäinen" Suite, is a Salonen specialty. He recorded it with the L.A. Phil in 1991, the year before he became music director. He was 32. Although one of the four movements, "The Swan of Tuonela," was a Sibelius fave, the full 45-minute score was a rarity. It is less so now, thanks in part to this exhilarating if idiosyncratic recording.

Even before that recording, Salonen had begun championing in L.A. the music of longtime Finnish friend Kaija Saariaho. He gave the U.S. premiere of her "Du Cristal" with the L.A. Phil in the Dorothy Chandler Pavilion late in 1990 and then hauled the orchestra over to Royce Hall to record it. This was the first big break for a composer who had gone from being a provincial organist in Finland in her youth to a cosmopolitan avant-garde composer with extraordinary new notions about sound and harmony.

On Friday night, Salonen gave the U.S. premiere of Saariaho's most recent orchestral work, "Maan Varjot" (Earth Shadows), which happens to be for organ and orchestra. This may not be exactly a return on her part to her organ roots, but the electric energy she brings to the timbre of the organ as well as to the orchestra is a reminder not just of where she came from but also how far she has come.

In her program note, Saariaho quotes the opening of a verse in Shelley's elegy for Keats from which she took her title. "The One remains, the many change and pass," Shelley wrote in "Adonaïs." "Heaven's light forever shines, Earth's shadow's fly."

Saariaho's score, however, better brings to mind the lines that follow, in which life is compared to the "dome of many-colored glass" and heaven's light to "the white radiance of Eternity." A dome of many colors, Disney's organ, and the hall's resident orchestra, also shimmered with a color chart's worth of Benjamin Moore shades of radiant white: white ice, white diamond, chalk white, ultra white, dune white, baby's breath and all the rest.

Written for French organist Olivier Latry, he began the three-movement score (which Saariaho resists calling a concerto), with the surreal, color-free rumble of the lowest pipes at threshold-of-hearing volume. Radiance grew gradually. The organ shimmered one way. The orchestra shimmered in a different way. Shimmers combined into one and drew apart in ways you might expect only electronically produced sound to be capable.

The central movement held the most earthly colors, the grays and browns of the metallic elements and of the soil. Lush melody found a voice. But radiance again rose in the final section, a mirage of sound effects.

Sound was evidently the evening's theme. Salonen began with Janácek's Sinfonietta, the greatest music intended for sport. Begun as a brass fanfare for a Czechoslovakian athletic event in 1925, it grew into a small symphony with glorious brass outbursts. At Disney, a row of trumpets and tubas stood in front of the bench seats behind the stage and let rip. The deal this time was golden radiance and in just about as many shades of Saariaho's white.

"Lemminkäinen" tied Salonen and Saariaho together in unexpected ways. It is early Sibelius, their national composer, from whom both have rebelled but to whom they have made yet another return. In 1991, Salonen's effort was to bring out the Modernist elements in this symphonic collection of tone poems based on Finland's national epic, the "Kalevala," and its randy hero, Lemminkäinen.

On Friday, he let Sibelius be. The performance was fleet and sounded effortless and strange, sometimes exciting music blossoming naturally yet spectacularly. The performance was a sensation, and it's time for a new recording.

Twitter: @markswed

Copyright © 2014, Los Angeles Times
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Child is being tested for Ebola in New York, was recently in Guinea

A child who had recently been in the Ebola-affected nation of Guinea took ill in New York City on Sunday night and is being isolated at a hospital, health officials said Monday.

The child was being tested for Ebola, and results were expected by the afternoon, the New York City Department of Health and Mental Hygiene said in a statement. 

The patient was taken to Bellevue Hospital in Manhattan and did not have a fever when first examined there but developed one around 7 a.m., the department said.

The department said that it is tracing the child's contacts to identify anyone who might be at risk of the disease. Emergency personnel were wearing personal protective equipment when transporting the patient to the hospital, it said.

Before a doctor who had been treating patients in Guinea became sick with Ebola last week, dozens of patients in New York City had been tested and cleared. 

The doctor's case spurred the governors of New York and New Jersey to institute a strict quarantine of medical workers who had been treating patients in Ebola-affected nations.

But New York Gov. Andrew Cuomo outlined rules Sunday that appeared less onerous than New Jersey's quarantine of a returned health worker who objected to her quarantine.

On Monday morning, New Jersey Gov. Chris Christie said the worker would be released from hospital quarantine after testing negative.

For news about Ebola and more, follow @JulieWestfall and @raablauren on Twitter

Copyright © 2014, Los Angeles Times

7:32 a.m.: This post has been updated to add details from the New York City Department of Health and Mental Hygiene's statement. 

This post was originally published at 7:13 a.m.


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Gear: Recoil Winders untangle your cords and cables

Cords and cables will come and go, but they will always get tangled, except if you have Recoil Winders.

Recoil Winders, little spring-loaded double disks look like elongated yo-yos, but work to manage the myriad wires that go with our electronic devices.

You fold a cable in half, loop the folded end over a built-in hook between the rewinder's two disks, and give a little tug. When you pull back, the spring-loaded mechanism recoils automatically, with the cord wound between the disks.

The brightly colored plastic organizers come in small for diminutive earbuds without microphones; medium for USB cords, headphones and phone charger cables up to 4 feet long; and large for thicker cords for laptops, tablets and gaming devices.

The rewinders are sold individually or in a combo pack of three. Small, medium or large costs $9.99 each; combo packs are $27.99. Cords not included.

Info: Recoil Winders

—Judi Dash

Follow us on Twitter at @latimestravel

Copyright © 2014, Los Angeles Times
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Wow Air plans no-frills flights between Iceland and Boston, Baltimore

Low-cost carrier Wow Air will begin flying between Reykjavik and the East Coast with connections to European cities in the spring. Airfares start at $99 each way.

Wow's announcement last week sait it would begin round-trip flights five days a week between Reykjavik and Boston (BOS) on March 27. One-way fares start at $99, according to Wow's website.

The airline will add seasonal service four days a week between Reykjavik and  Baltimore Washington International Airport (BWI) from June 4 through Oct. 31. One-way fares start at $146.

It also provides connecting service from those hubs via Keflavik International Airport (KEF) in Reykjavik to London and Copenhagen at super-low prices.

I checked Friday and found availability for a $99 outbound ticket from Boston to Reykjavik on March 31 with a return flight April 7 for $146. By comparison, my Kayak search found the same round-trip flight on Icelandair for $518. Travel website Jaunted reports scoring a flight from Boston to Copenhagen for $99 one way on April 15.

But with the no-frills come fees, listed prominently on the website, so you need to read the fine print to make sure the deal remains a deal.

Here are some of Wow's fees for flights longer than four hours, which includes U.S.-Iceland flights (note that fees apply to each leg of the journey, and these are online prices only; charges are higher, sometimes double, if you pay at check-in):

--Free, carry-on luggage up to 11 pounds
--$29 for carry-on luggage of certain dimensions that weighs up to 15 pounds
--$48 for first checked bag
--$3 to $24 for seat reservations, based on location on the plane and extra legroom features

Wow will fly Airbus A321 planes between Boston and Reykjavik and flies Airbus A320s from Reykjavik to European cities.

Wow was created in 2011 and has a Virgin-like vibe. From its website: "Wow is a cheeky Icelandic low-cost airline that flies to Iceland from a number of European cities the whole year round and started flying to North America this year."

Info: Wow Air

Copyright © 2014, Los Angeles Times
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South African prosecutors to appeal Oscar Pistorius verdict, sentence

South Africa's National Prosecuting Authority will appeal the controversial murder acquittal of Olympic runner Oscar Pistorius and his five-year sentence for the lesser crime of culpable homicide.

The decision to appeal was announced Monday and follows speculation from legal experts that Judge Thokozile Masipa may have erred in her interpretation of murder law.

In South Africa, the prosecution can appeal a judgment -- but only if an error has been made in law. A 1982 judgment, S vs. Seekoei, appears to further limit the state's right to appeal judgments, confining appeals to cases where there has been an acquittal.

Pistorius was handed five years jail for culpable homicide (negligent killing, similar to manslaughter in the U.S. justice system) for the fatal shooting last year of his girlfriend, Reeva Steenkamp. Under South African law, he could be out of prison in 10 months, a sentence many regard as lenient.

A spokesman for the National Prosecuting Authority, Nathi Mncube, said the appeal was based on questions of law and the NPA's argument would become clear once it filed papers seeking leave to appeal.

Mncube said prosecutors in the Pistorius case have been busy studying the judgment and consulting legal experts on the question of an appeal.

"The prosecutors are now preparing the necessary papers in order to be able to file within the next few days," Mncube said.

James Grant, a law professor at the University of Witwatersrand, was among those saying that Masipa's judgment was not well reasoned and would not likely stand up to scrutiny in a higher court.

Grant tweeted last week that he was "strongly in favor" of an appeal. He said lead prosecutor Gerrie Nel consulted him on whether to appeal, and he advised him to do so.

"I have advised that he should appeal & agreed to assist," Grant wrote.

Grant has specifically criticized the judge over her interpretation of a South African legal principle that murder includes a situation in which a person foresees that his or her actions will kill, but goes ahead anyway.

In the Pistorius case, there was intense argument around the question of whether the athlete must have foreseen that shooting four expanding bullets into a small toilet cubicle would kill anyone inside, regardless of whether this was an intruder or his girlfriend.

Follow @RobynDixon_LAT for news from Africa

Copyright © 2014, Los Angeles Times
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49ers' Vernon Davis parts ways with condo in Marina del Rey

San Francisco 49ers tight end Vernon Davis has sold a condominium unit in Marina del Rey for $822,000.

The condo, found on the 11th floor of the Cove Residences building, features an open floor plan with an updated kitchen, a living/dining area, two bedrooms and two bathrooms in about 1,600 square feet of living space.

Among amenities at the Cove is 24-hour security, a fitness center, a pool and spa and a recreation lounge with a catering kitchen, conference room and library.

Now in his ninth year with San Francisco, the two-time Pro Bowler has 142 yards receiving and two touchdowns in five games this season. He led all NFL receivers in receiving scores in 2009 with 13 catches for touchdowns.

Davis purchased the unit in May 2013 for $735,000, public records show. He owns three additional condominiums in the area.

Panos Papadopoulos of Hermes International Estates & Realty listed the property on behalf of Davis. Loni Wiener of Rodeo Realty represented the buyers in the sale.

Twitter: @NJLeitereg

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Itzik Harani a fantastic guide on once-in-a-lifetime tour of Israel

Written By kolimtiga on Sabtu, 25 Oktober 2014 | 22.25

Certified guide Itzik Harani recently took me and a friend on a tour of a lifetime that covered modern and historical sites in Israel such as Tel Aviv, new and old Jerusalem, Masada, Golan Heights, Tiberius, the Sea of Galilee, the Dead Sea, Akko, etc. Harani is fluent in English and extremely knowledgeable in all aspects of Israel (historical, archaeological, political, etc.). He also has a great sense of humor.

Itzik Harani, 23 Brodetsky St., Tel Aviv; Haranit@bezeqint.net, 011-972-3-6421102

Steve Stillman

Redondo Beach

travel@latimes.com

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Exit of Guerrero state governor seen as too little in Mexico

The government of President Enrique Peña Nieto is hoping that Thursday's removal from office of the governor of Guerrero state will lower the explosive tension roiling the nation over the Sept. 26 disappearance of 43 college students.

But Gov. Angel Aguirre's forced decision to step down is unlikely to satisfy tens of thousands of mostly young people and their parents, who have been taking to the streets across Mexico to protest.

Nor is it likely to quiet other critics taking Peña Nieto to task for what they consider a head-in-the-sand approach to an egregious breakdown of law and order in much of Mexico.

It was essential that Aguirre go, some said Friday, but his exit does not even begin to address the fundamental security crisis, which goes far beyond Iguala and Guerrero.

The missing students were last seen in the Guerrero city of Iguala after police attacked their group, killed six people, and led the survivors away. Federal authorities said the attack was ordered by Mayor Jose Luis Abarca and his wife, Maria de los Angeles Pineda, in collusion with corrupt police and local drug gangs.

In the days that followed, searchers found several hidden mass graves around Iguala and exhumed about 30 bodies. None have yet been linked to the students. News reports said an additional nine graves were discovered Friday that seemed to have been dug recently and contained backpacks and pencils.

"We will not be satisfied until [Aguirre] … is behind bars," Uriel Alonso, a student leader from the same college attended by the missing, said Friday. In Guerrero, demonstrators surrounded the state congressional building and repeated a frequent tactic: torching government property.

On Wednesday night in Mexico City, thousands of people, many carrying candles, marched through the capital. At one point the crowd stretched from the iconic Angel of Independence statue to downtown's Zocalo square, a distance of nearly three miles. The demonstration was generally peaceful.

The most common slogan of the protests has been the demand for the resignations of both Aguirre and Peña Nieto. Though the latter won't happen, the sentiment underscores the belief that the Iguala case is only, as one political leader put it, the tip of the iceberg. It is quickly coming to symbolize Mexico's serious security problems, long downplayed by Peña Nieto's government as he sought to focus on opening up the Mexican economy and improving the country's image abroad, while also concentrating security authority and policy in the central government, to the neglect of the states.

Since taking office nearly two years ago, Peña Nieto "wanted to lower the profile of violence and insecurity, and there were deliberate efforts to do so," Edna Jaime, general director of Mexico Evalua, an organization that studies security and other public policy, said in an interview.

"The disappearances, the mass graves take us to the past brutal images," she said. "We had had a parenthesis, but the problems were always there. It was a wound that had not been cured."

Many in Mexico say the latest incidents remind them of one of the country's darkest chapters, the so-called dirty war of the 1960s and '70s, a period of lawlessness and extreme repression of dissidents. And several analysts and politicians warned that increasingly violent protests could reawaken latent guerrilla movements — especially in Guerrero, long a hotbed of radical activity and thought.

"What worries us is a scenario … that provokes general social instability," Sen. Luis Miguel Barbosa said Friday. He is from the same leftist Democratic Revolution Party, or PRD, as Aguirre. "I hope that radical groups don't find in these moments of uncertainty an opportunity for their own" agendas.

Peña Nieto also addressed a rising tide of violence, saying he understood protesters' demand for justice but that it cannot go hand in hand with vandalism.

His government is clearly concerned it is losing a finely crafted domestic and international public relations campaign that emphasized major reforms of Mexico's energy sector.

Publications in the U.S. and Europe that once lavished praise on the president have turned the tables. Echoing the European Union and other international bodies, the United Nations' Office of the High Commissioner for Human Rights on Friday urged the Mexican government to redouble its efforts to find the missing students. It also asked to be allowed to interview families of the missing.

Thousands of people have been reported missing, some taken away by security forces, others by drug gangs, in the eight years since Mexico launched a battle with drug trafficking cartels.

Peña Nieto erred, commentator and writer Jorge Zepeda Patterson said Friday. "It was thought that the economic changes would be the platform to transform [Mexico's] reality — and maybe that would be true in a less surreal country," Zepeda wrote in an op-ed piece in the Spanish newspaper El Pais.

"President Peña Nieto believed economic reform would be enough to leave behind the barbaric Mexico. Obviously, that's not been the case."

wilkinson@latimes.com

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Soaring SpaceX, Isaacson on Wikipedia, Asimov on creativity, and more

Here's your supplemental weekend reading list (for when you've finished your Times.)

Elon Musk's SpaceX is perhaps the most remarkable entrepreneurial success story in recent times. Quartz tells how SpaceX leapfrogged NASA to "become a serious space company."

Walter Isaacson, the guy who wrote the Steve Jobs biography, has a new book, "The Innovators," a highly readable history of computer technology. The Daily Beast runs an excerpt, with a focus on Wikipedia.

In 1959, venerable science fiction author Isaac Asimov wrote an essay on creativity. MIT Technology Review publishes it for the first time.

And for hard-core geeks, Ars Technica offers the 10-year tale of Ubuntu.

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Nas wraps 20 years of rapping with 'Time Is Illmatic'

Nasir Jones' rise from the housing projects of Queensbridge in New York to the top of the rap game is at the center of the film "Nas: Time Is Illmatic." The documentary celebrates the 20th anniversary of the prolific emcee's debut, "Illmatic," widely considered one of the best rap albums ever made. The 41-year-old has been performing the record in its entirety (and screening the film) in a series of shows across the country. A raspy-voiced Nas took time between shows to discuss the film, his life today and the state of hip hop.

You were 19 when you made "Illmatic." In the film, when you look back on that time, you recall wanting to give people "the feeling of New York at night" with that record.

Back then, no one really knew what life in that other New York was like. I wanted to get all those elements on the record, especially in "N.Y. State of Mind." But there's also sunshine on that record, rain, clouds — all of that.

Despite that you've had one of the longest careers in rap, you don't really talk a lot about your legacy. Did the documentary make you reflect more on the past and how you got to where you are?

When [director One9] was shooting it, I didn't feel like it was taking me back. Then I watched it. It brought up a lot, yeah, a lot.

That had to be hard because the life you described on "Illmatic" — your young life — was pretty rough. The crack epidemic. Poverty. Violence. Hardly any of your friends made it out. How were you able to?

I don't really know. A guardian angel hovering over me? I always tried to protect myself so I'd have a future. I never wanted to just stay there or to stay in one place. I wanted to move around, see the world. Make money legitimately. I always wanted to do more than stay there.

I made conscious decisions to avoid a lot of things because I knew there was something else. I don't think I could have lived with myself knowing what it would have been like if I had tried harder. You're already living with a lot of "what ifs." What if I hadn't thrown it all away? What if I had just taken that other path?

But it's not always under your control, as you point out often in your songs.

Right. Sometimes you can't stop things from happening. No matter how good a person you are, you can just get caught up. No matter how smart you are. You can go to school, have a job, and it'll still get you.

Your life has changed a lot, therefore your music has too.

Today, I don't think the same way I used to, so I don't sound the same way. I sound like who I am today. I have different stories to tell.

One constant is that your work has always been thought-provoking — when everyone else was rapping about drinks in the club (and they still are), you were decrying the lack of creative power among rap artists.

I've always been the guy who laid everything in my head out on the line, and you could do with it what you wanted. I didn't know any other way. Even with my album "Hip Hop Is Dead," I could have kept that in my head, but I didn't. I put that out. A lot of people thought that was career suicide. My goal wasn't to turn people against hip hop, my goal was to encourage us all to do better.

What would you like to see more of in hip hop today?

People who make their own mark. Who know their own mind. I would like people to do their thing and not make bad decisions for the sake of the charts. Be original.

You've remained relevant over two decades — a miracle in the hip-hop game — and have done it largely on the strength of your music as opposed to, say, furiously multi-platforming.

I didn't want to do anything as far as branding. I honestly felt my music was enough. I didn't want or need more. My music is my dream. All that other stuff requires more work. Yeah, it might make me more famous, but I didn't sign up for that.

In the film you talked about representing those guys you grew up with who didn't make it, guys who died young or got flattened by the system.

I always wanted to see somebody make it. I think that's how my neighborhood was. If we can't make it, we want to know someone who can. I never knew it would be me.

Could you talk about the Nasir Jones Hip Hop fellowship?

Yeah, we give kids scholarships to Harvard. Artists in particular. A good education is not free. This helps in a small way. With a school like Harvard, there should be some other way to get there. There has to be some other system.

What are you working on now?

Right now? I'm getting ready to eat some Chipotle.

You know what I mean.

[Laughs] I started some new music. I'm gearing up to drop that. The time is now. The music is coming now.

You grow with each record, which is a good thing. But you also catch flak for not sounding the same.

I get beat up for that. But there's nothing I can do about it. I'm happy I can do this about my life today. I'm happy it hits you in a different way, but you don't get the praise for [rapping about the everyday], you don't get the front page.

But you do get the praise still. Your last album, which is from the vantage point of a father and a man entering his 40s, did really well with fans and critics.

"Life Is Good" is more about what's happening day to day. Before it was about people I hung out with in Queens who are no longer with us, or life there, the streets. Now my life is different. It's good.

Twitter: @LorraineAli

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USC's Williams, Utah's Orchard put spotlight on defensive lines

USC's Leonard Williams is regarded as one of the most productive defensive lineman in college football.

Williams won't be the only disruptive force on the field Saturday night when the No. 20 Trojans play No. 19 Utah at sold-out Rice-Eccles Stadium in Salt Lake City.

Utah's Nate Orchard has 10½ sacks, second-most in major college football.

The 6-foot-4, 255-pound Orchard has 39 tackles, including 13 for losses.

The 6-5, 300-pound Williams has been projected as the possible No. 1 pick in the 2015 NFL draft.

He has 45 tackles, including 4½ sacks, and has intercepted a pass and forced a fumble.

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From Foyles to Hatchards, slip between the covers of London bookshops

My geeky teenage years were filled with escapes to this city's bookstores. Most weekends were spent leaning against their bookcases and reading seemingly a little bit of everything, from Russian short stories to picture books about steam trains. I was a nerd, but not in today's hipster-cool way.

On a recent visit, I cracked open the cover on some of the city's bookshops, fearful that the age of e-readers had killed my favorite haunts.

First up: Foyles (107 Charing Cross Road).The flagship of this six-branch mini-chain opened its shiny multifloored shop in June, relocating from up the street. It has more books than you can shake a Kindle at, plus a cafe, a small art gallery and a full calendar of readings in a purpose-built auditorium.

This bells-and-whistles approach is all about community-building, to borrow a Digital Age term. Although the store brimmed with shoppers, I felt nostalgic for the modest, musty-smelling enclaves I once frequented. Charing Cross Road was formerly the heartland of these, but few remain.

Nearby, the green-painted bargain boxes outside Any Amount of Books (56 Charing Cross Road) are honey traps to passing pedestrians. But bookstore browsing is about burrowing into the stacks, so I headed inside to survey the used volumes on its floor-to-ceiling shelves.

My approach hasn't changed: Read the pricey tomes in situ but don't pay more than a few pounds for takeouts. I flicked through alluring art books before finding — for 2 pounds, or about $3.25 — an intriguing history of London gin. I later spotted the same title selling new for 14 pounds, or about $22, in another shop.

Several doors up, I was lured by the hardback-lined window displays at Quinto (72 Charing Cross Road), which combines vintage volumes, including old London souvenir books, with a jumble of dog-eared bargains. My 2-pound find here was an obscure birding tome for my ornithologically minded girlfriend.

But it's not all about penny-pinching and secondhand shopping. I hopped the Underground to Holborn and soon was nosing around Bloomsbury's London Review Bookshop (14 Bury Place), a handsome independent store run by the British literary magazine.

I sidestepped the elbow-patched regulars and newly published books because I was here for alternative sustenance. The store's on-site cafe serves trendy teas, bulging baguette sandwiches and treacle tarts and chocolate cakes, which suggest twinkle-eyed grandmothers are baking their favorite treats.

I chose the quiche and a thick slice of jammy Victoria sponge cake. It's just what Hemingway would have ordered if he were here. Probably.

Back on the Underground to Russell Square, I headed for Skoob Books — get it? — an Aladdin's cave for bookworms and the day's final destination (66 The Brunswick). Every surface, including a piano, was slathered with books. There were six shelves of vintage Penguin crime paperbacks, and a wall of juicy travel titles inspired fevered examination.

Mindful of my airline's weight restrictions, I limited myself to looking for almost two hours.

Next afternoon, I plotted three final chapters, including one that wasn't a store.

I started in affluent Chelsea, where I found John Sandoe (10 Blacklands Terrace), a welcoming shop that's been selling new books since 1957. Staffed by plummy-accented locals, its black-painted floors creaked under the weight of a large but carefully curated collection.

I spent ages stroking its pricey photography volumes — e-books will never trigger the same physical lust — but because none met my 2-pound maximum, I returned to the Tube empty-handed. It was time for a break from shopping.

When the gargantuan British Library (96 Euston Road), recipient of every publication produced in Britain, opened its Euston Road headquarters in 1998, it became a pilgrimage destination for bibliophiles. But its little-known behind-the-scenes tours are the best way to slip between the covers.

Led by a friendly guide, our group examined the conveyor-belt system that delivers items from the library's 14 floors (five below ground) and salivated outside George III's glass-encased private library, home to hundreds of precious volumes.

The building's greatest hits line its Sir John Ritblat Gallery, where display cases house jaw-dropping treasures such as Shakespeare's First Folio, a Gutenberg Bible and a handwritten "Alice in Wonderland."

My final stop was Hatchards (187 Piccadilly). Opened in 1797, it's London's oldest bookstore and Queen Elizabeth's chosen bookshop. You enter beneath a huge royal warrant coat of arms to find five floors of new volumes encircling a central staircase. The wood-paneled walls are also studded with photos of book signings with authors from Bette Davis to Salman Rushdie.

After some intense perusing, I made my final purchase. Mark Forsyth's "The Unknown Unknown" is an entertaining, pamphlet-style volume praising bookstore browsing over soulless Internet shopping.

"A bookshop," he writes, "is a room where you find what you never knew you wanted, where your desires can be perpetually expanded."

Back on the Tube, alongside passengers hunkered over flickering digital screens, it was easy to agree.

travel@latimes.com

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John Lautner's Silvertop sells for above asking price

The John Lautner-designed Silvertop, also known as the Reiner-Burchill Residence, has sold in Silver Lake for $8.55 million -- 14% above the asking price of $7.5 million.

The property was on the market 20 days before it went into escrow.

Embodying the midcentury architect's optimistic outlook of the future, the 4,721-square-foot house features concrete construction, an arched living room roof, an early infinity-edge pool and a cantilevered driveway.

Started in 1957 and completed in 1976, the one-story house features floor-to-ceiling windows, a den/office, a library/study, three bedrooms and four bathrooms. There's a guesthouse with a darkroom, a carport, a swimming pool and a tennis court on the 1.26-acre property.

Views take in the mountains, cityscape and ocean.

Lautner, who died in 1994 at 83, was known for his Modernist designs and space-age vision. Among his most well-known homes is L.A.'s octagonal Chemosphere house.

Crosby Doe of Crosby Doe Associates handled the transaction.

Twitter: @LATHotProperty

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Football: Lavell Thompson puts best foot forward at South Gate

Lavell Thompson is arguably one of the premier players in the Los Angeles City Section. The senior running back from South Gate proved as much Friday night against East Los Angeles Garfield. His effort, however, came up a tad short.

The 5-foot-7, 185-pounder was effective from start to finish. Still, Thompson was left to think about what could have been after a 23-19 Eastern League loss at home in which he finished up with 171 all-purpose yards and a pair of touchdowns. 

"I went out there and did what I could do," Thompson said. "I felt like I left it all on the field, and as a leader on this team, that's what I'm supposed to do. My job is to lead by example. If I'm not doing that all the time, then there is something wrong." 

Plenty was at stake for Thompson & Co. South Gate (6-2, 3-1), after all, entered as the No. 1 team in Division II. For a while, with his 22-yard touchdown run and 26-yard score, it appeared as if the team was in position to strengthen its hold in the rankings. 

Things fell apart, unfortunately for South Gate, as Stevie Williams engineered a memorable comeback for the Bulldogs (6-2, 4-0). The senior quarterback and his teammates scored 15 points in the fourth quarter after giving up 19 unanswered points prior to the final flurry. 

With the favorable result, Garfield figures to earn much-needed added respect in Division I, where the likes of Harbor City Narbonne and Los Angeles Crenshaw typically receive most of the attention. That said, Carson and San Pedro are also in the mix. 

As for Thompson, he can take consolation in the fact, for one, the Rams had a chance to win. Secondly, after 2,331 rushing yards and 30 touchdowns last year, one of the City Section's best backs took another step toward proving the effort was not a fluke. 

Sean Ceglinsky has covered sports in the Southland for about 15 years. Follow him on Twitter: @SeanCeglinsky

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Disney and Segerstrom firing up their organs this weekend

Written By kolimtiga on Jumat, 24 Oktober 2014 | 22.26

Southern California has a spectacular, if quirky, standing in the organ world. First Congregational Church of Los Angeles on Wilshire boasts the biggest organ in the world, with more than 20,000 pipes.  The Crystal Cathedral in Garden Grove has one of the most colorful, designed by Virgil Fox, and now undergoing renovation. Balboa Park in San Diego is home to the world's largest outdoor organ.

But until Walt Disney Concert Hall opened in 2003, we were poor in concert hall organs. Royce Hall was long the most notable, and it went through considerable trouble to hide the pipes. So little liked, in fact, were concert hall organs in the latter part of last century that even Alice Tully Hall, which has Lincoln Center's only organ, hid its pipes as well.

By making the Disney Hall organ a centerpiece of Disney' interior design, Frank Gehry changed everything.  If ever there was an organ demanding to be heard, it was Disney's, which happens to sound glorious in the hall's lively acoustics. No doubt the prominence of the Disney organ helped make it possible for the Segerstrom Center for the Arts to raise money for a striking organ in its Renée and Henry Segerstrom Concert Hall in Costa Mesa, which opened in 2006.

This weekend happens to be one in which both halls are featuring major works for organ and orchestra. It's the 10th anniversary of the Disney organ (it wasn't until a year after the hall opened that the instrument was fully tuned), and the first of several celebratory events will be Esa-Pekka Salonen conducting the U.S. premiere of Kaija Saariaho's "Maan Varjot" (Earth's Shadow).

The Finnish title for the three-movement score, which includes a large and colorful percussion section, comes from Shelly's line "Heaven's light forever shines, Earth's shadows fly" in his "Adonais: An Elegy to the Death of John Keats." The soloist is Olivier Latry, the organist of the Cathedral of Notre Dame in Paris.

Over at Segerstrom, the big organ piece is Maurice Duruflé's Requiem, with Carl St.Clair conducting the Pacific Symphony and soloist Paul Jacobs. There is a Notre Dame connection here as well, since in 1927 Duruflé was appointed assistant of the cathedral's then organist, composer Louis Vierne.

There is also something slightly shadowy about Durflé's Gregorian chant-inspired Requiem. It was seemingly commissioned during World War II by the Vichy government. The premiere wasn't until 1947, and whether Duruflé was a collaborator (which he denied) has never been satisfactorily answered. Still this is a Requiem of such haunting beauty that it has managed to transcend, or at least evade, politics.

Next month organ aficianados will have a chance for a direct comparison of the Disney and Segerstrom beheamoths, when the L.A. Phil pairs organ symphonies by Stephen Hartke (the premiere of his Symphony No. 4) and Saint-Saëns. The program, with Cameron Carpenter as soloist and Gustavo Dudamel conducting, will be given in both halls.

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USC freshman Viane Talamaivao already has memories at Utah

Viane Talamaivao will play at Utah for the first time Saturday.

But the USC freshman already has memories from Rice-Eccles Stadium.

"I have baby pictures of me in that stadium," said Talamaivao, an offensive lineman whose uncle, Pene Talamaivao,  played for the Utes in the 1990s. "It's kind of sentimental for me to go back and play in that stadium."

The sentimentality could wear off quickly.

USC's offensive line will try to slow one of the most aggressive pass rushes in college football and keep quarterback Cody Kessler out of harm's way.

Utah end Nate Orchard has 13 tackles for losses, including 10 1/2 sacks.

"They get after the quarterback," Talamaivao said, "so we're going to have to protect him."

Questions or comments about USC? Email me at LNThiry@gmail.com or tweet @LindseyThiry and I will answer select questions in a weekly USC Now mailbag.

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'Citizenfour' a compelling look at Edward Snowden's actions

Be afraid. Be very afraid.

This in essence is the message of "Citizenfour," Laura Poitras' highly anticipated documentary on Edward Snowden's decision to expose the National Security Agency's ravenous appetite for clandestinely collecting the personal data of ordinary citizens. If left unchecked, the film persuasively posits, this lust for information on an unprecedented scale could mean the end of privacy as we know it.

Because Poitras was among the first people Snowden contacted, because she became involved in the process, this is first and foremost an advocacy documentary with a compelling you-are-there quality. It puts us in the room where Snowden and journalist Glenn Greenwald, his key conduit to the outside world, conferred in Hong Kong's Mira Hotel over eight days as they made decisions about what was to be published and why.

These extensive hotel conversations are terribly exciting, but they take up so much of "Citizenfour's" running time they also result in a more limited film than viewers may be expecting. What we get is as much an edited record of those historic high-tension days as an examination of the issues surrounding electronic surveillance. "Citizenfour" is a formidable viewing experience, but it's not necessarily a problem-free film.

Poitras, a superb documentarian whose previous work includes "My Country, My Country" and "The Oath," was already working on a documentary about governmental surveillance when, in a scenario worthy of John le Carre or even Eric Ambler, she was contacted by a source identified only as "Citizenfour."

Insisting on fierce security protocols over and above the ones Poitras, herself a target of surveillance, already employed, Citizenfour and the filmmaker exchanged email messages for months, some of which appear on the screen and are read by Poitras in a calm, poised, quietly effective voice.

Citizenfour encourages Poitras and Greenwald, a journalist for Britain's the Guardian, to work together. After some six months of complex email conversations, the three of them meet in that Hong Kong hotel to make final plans.

Given how much he's been in the news since then, one key fascination of "Citizenfour" is the intimate glimpse it gives us of Snowden, whose slight frame and boyish looks bring to mind Abraham Lincoln's apocryphal remark on meeting "Uncle Tom's Cabin" author Harriet Beecher Stowe: "So you are the little woman who wrote the book that started this great war."

Yet the more we see of Snowden, whether talking to hotel reception or slipping under a blanket ("my magic mantle of power") in order to hide his keyboard strokes from the camera's eye, the more we see not only his intelligence and the strength of his resolve but the linked idealism and zealotry that must have motivated his actions.

Snowden's articulate passion about the NSA's extensive data gathering ("the reach of the system is unlimited ... it's not science fiction, it's happening right now") fuels the argument he lays out in increasingly chilling and convincing detail about why it would take nothing more than "a change of policy" to turn this apparatus into "the greatest weapon for oppression in the history of the world."

When the Guardian published Greenwald's stories, a media firestorm erupted, and we see Snowden strategizing with Greenwald about when and how he should reveal himself as the source. He's eager to do so because he believes "choice is power" and feels strongly that "skulking around in the shadows" is not what he wants to be doing. But once Snowden leaves the hotel room to go into hiding and eventual asylum in Russia, this film's energy departs with him.

Because compelling as all the sequences with Snowden are, their length and intensity unbalance "Citizenfour." They do not blend seamlessly with the rest of what's been shot, footage that feels like the residue of the documentary Poitras was working on when Snowden first contacted her.

While some of the nonhotel room footage, like NSA director Keith Alexander and Director of National Intelligence James Clapper not telling the truth to Congress, fits well, other material, like Rio de Janeiro resident Greenwald testifying in Portuguese before the Brazilian Congress, are more random than effective, giving "Citizenfour" a disjointed feeling.

And though it's the reason for "Citizenfour's" most compelling footage, director Poitras' insider status presents problems. There are things she likely knows (where Snowden went when he left the hotel room) but has no intention of telling us. She doesn't explore possible downsides of Snowden's actions, and she plays peekaboo with information from a second, previously unknown NSA leaker, teasing us with snippets of information in a way that doesn't feel like it's playing fair with the viewer.

Finally, however, carping about as significant a film as "Citizenfour" feels beside the point. You can wish its faults didn't exist, but it does a real service in detailing what the scary consequences of those NSA actions could be. Poitras dedicates the film to "those who make great sacrifices to expose injustice." She may well belong on that list.

Twitter: @KennethTuran

--------------------------------

'Citizenfour'

No MPAA rating

Running time: 1 hour, 54 minutes

Playing: Landmark, West Los Angeles

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'23 Blast' plays well but doesn't score

The football drama "23 Blast" tells a story that wouldn't make it past a pitch meeting if it weren't based in fact: how Kentucky high schooler Travis Freeman (Mark Hapka) lost his sight overnight after a severe infection but continued to play football for his high school team in the touch-based role of ball-snapping center.

Freeman's Christianity — he went on to become a pastor (and makes a cameo as one) — gives "23 Blast" a dutiful faith-based message of inner sight over biologically working eyes, but everything else about the movie is by-the-numbers inspirational trudgework.

Dylan Baker, a quality character actor making his directorial debut (and playing Travis' father), sets up a genuinely wholesome community feeling with the movie's early scenes of athletic camaraderie and parental boosterism. But once tragedy strikes, the clichés in Bram and Toni Hoover's screenplay win out, and Baker never stirs up enough energy to make it feel any different from a thousand other tales of underdog triumph.

One saving grace is the string of appealing performers, including Stephen Lang as the coach taking a chance on Travis, Alexa Vega as Travis' girlfriend, and Baker's wife, Becky Ann Baker, as a physical therapist.

-----------------------------

"23 Blast"

MPAA rating: PG-13 for teen drinking.

Running time: 1 hour, 38 minutes.

Playing: In general release.

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Menifee councilman arrested in city park, D.A.'s office says

A Menifee councilman was arrested Thursday in a city park by investigators with the Riverside County district attorney's office, but prosecutors declined to say what he was arrested on suspicion of.

Thomas Fuhrman was arrested at Wheatfield Park, said John Hall, a spokesman with the Riverside County district attorney's office.

"The arrest was made subsequent to an active investigation," Hall said. "No charges have been filed."

No other arrests were expected as part of the investigation.

For breaking news, follow @AdolfoFlores3.

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'Bronies': When men love 'My Little Pony' too much

Nothing in "Bronies: The Musical," at the Third Street Theater, is as hard to credit as the existence of bronies: adult, primarily male fans of "My Little Pony."

If bronies are real — and according to the Internet, they are — then our very standards of plausibility must be recalibrated, or jettisoned altogether. The resulting cognitive clarity is ideal for enjoying this unabashedly campy and sweet musical, which first made a splash at the 2014 Hollywood Fringe Festival and has been remounted under the deft direction of Richard Israel.

"Bronies" evokes "Hairspray" in its message of acceptance, but writers and lyricists Heidi Powers and Tom Moore keep the stakes relatively low: All the characters want is the freedom to express their love for what's called here "The Pony Show" and its pastel tie-in collectibles.  

The host of the evening, Keith (Mark Gelsomini), a proud brony, introduces the players in the drama, three high-schoolers in a town called Martindale. There's the jock, basketball star Austin (Taylor Helmboldt), who's secretly uncomfortable with his teammates' bullying. Then there are the victims: a nerd named Tyler (Richy Storrs), whose mother (the hilarious Gabby Sanalitro) doesn't respect his boundaries, and Jacob (Josey Montana McCoy), the school custodian who dreams of being an artist.

The boys' fates change one night when they all separately happen to see an episode of "The Pony Show." On TV, the ponies are played by Russ Walko's adorable puppets. But when they come out to sing composer Joe Greene's dazzling harmonies and perform John Todd's kicky choreography, they're four lovely, pony-like women with sparkly evening gowns and flowing topknots (Brielle Batino, Stephanie Hayslip, Shelley Regner and Charlotte Mary Wen, in costumes by Michael Mullen). They act as spirit guides, grinning encouragingly as their human protégés achieve self-knowledge. 

The boys explore the online brony communities, where Jacob begins creating fan art and Tyler sparks up a friendship with Paige (Molly Gilman) in a charming "Computer Duet."

They attend a fan meet-up at the Apple, a comic-book store run by Hank (composer Greene), where Austin's arrival provokes tension. ("This is kind of heavy for a fan meet-up," Tyler remarks. Keith rejoins, "This must be your first fan meet-up.") Of all of them, Austin has the hardest time reconciling his jock identity with the ponies' message.

The inevitable, candy-sweet resolution is made especially toothsome by salty moments, as when Tyler's mom encourages him to explore online pornography in "Urges," and Austin's cheerleader girlfriend (Anna Grace Barlow) confesses to her own offbeat proclivities in "Weird."

Music director and keyboardist Jennifer Lin and her band perform onstage, adding a wonderful live energy, if occasionally drowning out the voices. Joel Daavid's compact, flexible set is just right. If it doesn't turn you into a brony, "Bronies" will make you a fan of this winsome production. 

"Bronies: The Musical," Third Street Theatre, 8115 W. 3rd St., Los Angeles. 8 p.m. Fridays and Saturdays, 3 p.m. Sundays. Ends Nov. 2. $25-$30. (888) 718-4253 or www.showclix.com. Running time: 1 hour, 20 minutes.

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Lured by Verizon into giving up cellphone privacy

Eric Purtell, who has been a Verizon Wireless customer for nearly a decade, had every reason to think the company was rewarding his loyalty.

A recent email told Purtell that he'd already accumulated almost 41,000 rewards points simply by using his cellphone. If he signed up for Verizon Smart Rewards, Purtell was informed, he could use those points "to plan the perfect night out" and "save big on restaurants, entertainment and other local deals."

"It looked like they were providing some value back, like an airline or hotel," the San Dimas resident told me. "It looked like they were making sure I didn't switch to AT&T or some other company."

Not exactly.

What Verizon Wireless was doing was luring Purtell into giving permission for his personal information to be used for increased marketing.

Call it a points-for-privacy swap — yet another sneaky ploy by a large company to get customers to divulge personal information or, worse, to open the floodgates to marketers.

Purtell, 41, works as a contract negotiator for a medical-devices company, so he knows a thing or two about fine print. But he admits he went relatively quickly through the Smart Rewards enrollment process and didn't notice the part about having to sign up as well for something called Verizon Selects.

That other program might sound benign, but it isn't.

According to the "participation agreement" for Verizon Selects, members will have their online browsing, apps and physical location scrutinized by the company so it can group them with other customers that "a marketer is trying to reach."

Adria Tomaszewski, a Verizon Wireless spokeswoman, said Verizon Selects is one of a number of company programs "designed to help marketers reach audiences more efficiently, especially in the mobile space."

She said Verizon Selects tracks people's "use of Verizon products and services, the websites they visit and apps they use, interests, demographics and information about the quantity, type, destination, location and amount of use of Verizon voice services."

Verizon Wireless is by no means alone in trying to turn customers' real-world and online behavior to its advantage. Similar tactics are employed by practically all other telecom, financial and Internet companies.

But Verizon Wireless has been unusually clumsy in its efforts to coax customers into abandoning their privacy.

In April, I wrote about how the company was "enhancing" its Relevant Mobile Advertising program, which also collects data on customers' online habits.

What it really was doing was downloading a cookie — lines of code — into your home computer so that Verizon Wireless could monitor your online activities even when you're not on the company's wireless network. It then shares that data with marketers.

Verizon Selects represents a bolder approach to breaching customers' privacy walls. It's using the prospect of money-saving deals as an enticement for people agreeing to let the company peer over their shoulder.

Patrick Connolly, a senior analyst with ABI Research, said that programs such as Verizon Smart Rewards represent "a location gold mine" that can be used by wireless carriers for "big data analytics and advertising."

The wireless industry could be looking at nearly $2 billion in extra revenue by 2019, he predicted.

"This kind of thing sickens me," said Nancy Kim, a professor at California Western School of Law in San Diego. "It's very problematic."

She said many consumers aren't aware of how much access to their personal lives they give away when they click on a button to accept a program such as Verizon Selects.

"If consumers actually knew more about what companies like this are up to, I'm sure they'd be up in arms," Kim said.

Adding to the troublesome nature of Verizon's Smart Rewards program is that the company's pitches to customers say that joining "may require enrollment in Verizon Selects," as if you have a choice.

You don't.

Verizon Wireless' Tomaszewski acknowledged that everyone who signs up for Smart Rewards also has to sign up for Selects. The only exception, she said, would be people who already have told the company that they don't want to join Selects.

But it's hard to imagine anyone doing that, considering that the only way to be enrolled in Verizon Selects is to agree to join the program. Who would proactively opt out of a marketing program that they never opted into?

After joining Verizon Smart Rewards, customers can cancel their membership in Verizon Selects and still be eligible for rewards points, but this isn't stated on the company's Smart Rewards website or in the Verizon Selects participation agreement.

You'll also have to dig deep into the fine print to discover that all information collected from Verizon Selects members will be kept by the company for up to three years.

I shared all this with Purtell, who said that the more he learned about Verizon Selects, the more uncomfortable he was with having signed up for Verizon Smart Rewards. He said he'd be dropping out of both programs.

"I'm willing to give up a little privacy for some things, but not my smartphone," he said. "Your smartphone is your life."

Which is why I have no doubt that Verizon Wireless will keep trying to cozy up to customers.

Amazon.com, at least, offers lower prices for Kindle e-readers if customers allow ads on them. I'm thinking wireless companies should stop trying to trick people and simply offer reduced rates in return for more marketing access.

Or would that make their intentions too clear?

David Lazarus' column runs Tuesdays and Fridays. He also can be seen daily on KTLA-TV Channel 5 and followed on Twitter @Davidlaz. Send your tips or feedback to david.lazarus@latimes.com.

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Flawed 'Camp X-Ray' still exposes truths in war on terror

One thing director Peter Sattler gets right in the new film "Camp X-Ray" is the way life can entrap even without prison walls. Pvt. Cole, a young soldier played by Kristen Stewart, joins the Army to escape small-town Florida and ends up guarding Ali, a Guantanamo Bay prisoner played by "A Separation" star Payman Maadi. From scraps of conversation, you gather Cole was as eager to leave her home's mentality as much as the reality, only to find a different brand of small-mindedness and repression in this man's army.

It helps if you think of "Camp X-Ray" and the prison face-off between Stewart and Maadi as a cautionary conversation unfolding more like a theater production than a movie.

In their tête-à-têtes, provocative moments emerge as writer-director Sattler zeros in on the unlikely and uneasy friendship that develops between Cole and Ali.

Otherwise, the drama has a tendency to slip into stereotypes a bit too easily, military misogyny, terrorist ideology and xenophobia among them. It's not that those elements don't exist in the real world, especially in places like Gitmo where being detained as a terrorist suspect can feel like a life sentence without the trial. But by boiling too much down to black and white, "Camp X-Ray's" ability to say something significant is diluted.

Ali is shown briefly in his pre-prison days, somewhere in the Middle East readying a bunch of cellphones for something, no clue as to what, when he's caught in a sweep. Black bag over his head, in chains, he's flown to Guantanamo. He's not the leader of his cellblock; he spends his time reading, praying and resisting where he can.

Cole joins the high-security detail as part of the regular rotation of new blood. Her first real encounter with Ali is over books — she's delivering them, he's complaining about a conspiracy to keep Harry Potter's last from him. She thinks "The Prisoner of Azkaban" is an Arabic book.

With that kind of cultural counterpoint established, Sattler starts escalating the hostilities between Ali and Cole. There is what should be a deal-breaker involving watered-down filth in the face. But watching the punishment that follows, something shifts inside Cole.

The film finds its footing as their fragmented conversations expand. By laying out the arguments in bits and pieces, Sattler keeps the dialogue from overstating the case. If only the other characters were drawn with as much restraint. Instead we have a sea of mostly anonymous, screaming faces in the detainees and, on the other side, jacked-up alpha males in uniform. Sgt. Ransdell (Lane Garrison), Cole's supervisor, is a particularly nasty piece of work, especially after she resists his advances.

The director, making his feature-film debut with "Camp X-Ray," comes out of graphic design, and you can see that influence in the way he's constructed the set. The cellblock, its tight walkways hemmed in by cinderblock and steel rooms, the monochromatic look mirroring the soldiers' fatigues, does much to create a claustrophobic, minimalist vibe. Director of photography James Laxton goes in close so often it can feel like the walls are coming in.

Within the constraints, Stewart and Maadi find the right rhythms to make Cole and Ali's exchanges seem real, even Ali's slight crush — the care he begins taking to trim his mustache — are humanizing.

A locked-down soldier is a good fit for Stewart's interior acting style. The skittish looks the actress slips between hard glares or icy outrage bring a kind of understated electricity to Cole. And the impact that comes when she softens, even slightly, is first rate as she continues to evolve the further away she gets from "Twilight's" teenage Bella. But there is an edginess that flows through all of her work — especially effective as a young Joan Jett in "The Runaways" — and one hopes she'll never lose that.

Maadi is always an intriguing and enigmatic presence on screen. There's a latent scowl that gives his look a kind of mystery and possible menace even when there is nothing else to indicate it. But it is the way he uses the eyes under those brows that is so potent. Intelligence, outrage, kindness, bemusement, he delivers it all with a glance. If you haven't seen his performance as a distressed Iranian husband in "A Separation," which won the foreign language Oscar in 2012, put it on your DVD to-do list.

As to Sattler, though he stumbles in this first outing, at times mightily — the ending is too ludicrous for words — he makes room for Stewart and Maadi to build a different narrative than we're used to in the war on terror. One that allows a little understanding to creep in.

Follow me on Twitter: @BetsySharkey

-------------------------------------------

'Camp X-Ray'

MPAA rating: R for language and brief nude images

Running time: 1 hour, 58 minutes

Playing: Sundance Sunset Cinema, West Hollywood

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Clayton Kershaw edges Mike Trout as Sporting News player of year

Written By kolimtiga on Kamis, 23 Oktober 2014 | 22.25

For the second time this week, Clayton Kershaw was honored as the major league player of the year.

The Sporting News announced Kershaw as its winner Thursday, two days after Baseball America did the same.

Kershaw edged Mike Trout for the Sporting News award, determined by a vote among major league players. The Dodgers' ace got 76 votes and the Angels' outfielder got 73.

The most valuable player awards will be announced Nov. 13. Kershaw is considered the favorite for the National League award, with Trout expected to win the American League award.

Kershaw, who led the major leagues in earned-run average for an unprecedented fourth consecutive season, also is expected to win his second consecutive NL Cy Young award and third in four seasons.

The three Cy Youngs and one MVP would match the career totals of Sandy Koufax. The Cy Young award will be announced Nov. 12.

A total of 244 players cast votes for the Sporting News award. Giancarlo Stanton of the Miami Marlins finished third with 32 votes, followed by Victor Martinez of the Detroit Tigers (22) and Jose Abreu of the Chicago White Sox and Jose Altuve of the Houston Astros (16 each).

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Texas: $2,900 for dinner and a swig of rare 50-year-old Scotch

To hear Ryan Roberts tell it, Balvenie Fifty, Cask 4567 had "something different about it." Whatever made this 1963 Scotch whiskey remarkable -- how the barrel was put together or a quirk in the aging? -- the manager at Cullen's restaurant in Houston knew he had to have a bottle.

And he will. Roberts plans a meal Nov. 15 for a dozen guests who pay $2,900 each to sample the single malt Scotch whiskey with the man who sealed it in its original cask half a century ago, malt master David Stewart.

"For Scotch lovers, this is nirvana," Roberts says. Seven people have already bought a seat at the table.

How rare is the bottle? For starters there are only 131 bottles of the stuff on the planet, each valued at $38,000. Of those, only 15 are coming to the United States, he says, and most of those will go to collectors.

Add the fact that Stewart, whose legendary career spans more than 50 years, will fly from Scotland to oversee the meal and the tasting and ... maybe it's one of those lightning-in-a-bottle moments.

The menu will feature ribeye cap rubbed with 30-year-old whiskey and braised beef belly. Dinner begins at 7 p.m. with several courses and tastings of five or six  Scotch whiskeys.

The end of the meal will feature the Balvenie Fifty, served on its own with "Scottish artisanal water" for those who may want to add a drop or two.

But the bottle won't go in one night. Roberts plans to save half for others who want to splurge --$900 for half an ounce -- at Cullen's to taste the Fifty. He's hoping it will last at least six months.

Reservations may be made by calling (281) 991-2010 or e-mailing Michele@CullensHouston.com

Info: Cullen's, 11500 Space Center Blvd., Houston; (218) 991-2000

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Is Portugal ready for its moment? If George Mendes' 'My Portugal' has its way

Cookbook shelves are overflowing with books about Spanish cuisine, Italian cuisine, French country cooking and even Greek taverna cooking. But Portuguese? Thin pickings. But now comes a new book by George Mendes, chef of Aldea Restaurant in New York City.

"My Portugal: Recipes and Stories" is such a wonderful reminder of everything that's alluring about Portugal -- the landscape, the people, the cuisine, the ingredients, the tradition, the wines -- all seen through the eyes of this passionate Portuguese American chef.

Until now, the best Portuguese book out there has been from David Leite of the blog Leite's Culinaria, who published "The New Portuguese Cooking" a few years ago. That's a great book for the home cook. 

This is Mendes' take. Of course, because we're talking Portugal, he's devoted an entire chapter to bacalhau, or salt cod. This chef, though, doesn't buy the board-hard dried salt cod. Instead, he cures his own for two or three days with just whole, skin-on cod filet and kosher salt, changing the water every 16 hours or so. And to make it even more flavorful, he wraps the salt-covered fish in cheesecloth and hangs it in the walk-in fridge. (Home cooks can place the fish on a wire rack set in a roasting pan.)

The recipes include his mom's salt cod and potato croquettes (which you can make ahead and serve at room temperature), salt cod with smashed potatoes and spring onions, a lovely salt cod and chickpea salad, even a recipe for farm egg, salt cod, black olives, and crunchy potatoes. I'm in, soon as I get it together to cure the cod.

The book does include some simple recipes, such as aromatic black-eyed peas, Brussels sprouts with quince and bacon, fried eggs with chanterelles, morcella (blood) sausage, and potatoes, and a killer cinnamon-vanilla rice pudding with Vinho Verde-poached plums.

There are great, rustic soups, too, including an Alentejo specialty: tomato, bread and egg stew lightened up with fresh lime zest and cilantro, and a classic collard greens soup with chouriço sausage and Yukon gold potatoes. 

But to make many of the other dishes, you'll have to plan ahead. Mendes cooks like the chef that he is --with stocks and essences, and other bits of prep always at hand. I very much wanted to print the recipe for pork belly with clams and pickles, which Mendes calls one of his favorites of all time, "the epitome of the soulful meeting of land and sea." Only before you make it, you also have to make a pork jus, a pork stock, roasted pork belly and refogado, the Portuguese version of sofritto.

Even if you don't cook a thing, read the book. In small vignettes and stories, Mendes' love for Portugal and its cooking comes through the pages, his affection for his family and food he grew up with. You'll hear about his father and mother, their Portuguese neighbors, about adventures seeking out the best suckling pig in Portugal or eating seafood in Lisbon. This is a cookbook to dream on.

Grilled sardines with charred peppers

Not tested in the Los Angeles Times Test Kitchen.

"Fresh sardines are completely different from the tinny, salted canned kind," Mendes writes. "They're as fatty as salmon, but with firm yet flaky mild white flesh. Their thin skin's tough enough to hold up on the grill, but delicate--and delicious -- enough to eat. I love the roasted, marinated peppers here, but the sardines are also great on their own with freshly squeezed lemon juice.

Serves 2

2 poblano peppers

1 green bell pepper

1 red bell pepper

Extra-virgin olive oil as needed

Kosher salt to taste

Sherry vinegar to taste

6 sardines, gutted and cleaned

Maldon sea salt to taste

1 tablespoon chopped fresh parsley leaves

4 lemon wedges, for serving

Prepare a grill by heating a mixture of all-natural briquettes and hardwood lump charcoal until very hot.

Lightly coat the peppers with oil and very generously season with kosher salt. Place on the hot grill grate and grill, turning occasionally until blackened and collapsed, about 15 minutes. Transfer to a dish. When they're cool enough to handle, peel the skins off and remove the stems and seeds. Cut the peppers into 1/2-inch wide strips and toss with oil and vinegar. Let stand to marinate.

Make sure your grill is still very hot. If not, add more charcoal and heat.

Lightly coat the sardines with oil and sprinkle generously with kosher salt. Place on the hot grill grate and grill, turning occasionally, until grill marks appear and the sardines start to whistle, about eight minutes.

Transfer to serving plates and drizzle with oil. Sprinkle Maldon salt on top of the fish. Garnish with the parsley. Serve with the marinated peppers and lemon wedges.

Follow @sirenevirbila for more on food and wine

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Five takeaways from Clippers' preseason victory over Suns

Five takeaways from the Clippers' 108-105 win over the Phoenix Suns on Wednesday:

1. Though the Clippers have one exhibition game left Friday night against the Portland Trail Blazers at Staples Center, Chris Paul and Blake Griffin clearly are ready for the start of the regular season.

The Clippers' two All-Stars combined for 69 of the Clippers' points in the win.

Paul had 34 points, nine assists and five rebounds and Griffin had 35 points and seven rebounds.

2. Matt Barnes still can't find his shot. After missing all five of his shots – all four of his three-pointers – Barnes is shooting just 8.3% (three-for-36) from the field, 4.5% (one-for-22) from three-point range.

3. Yes, Clippers center DeAndre Jordan sat out the game against the Suns, but Los Angeles still needs to clean up in the rebounding department.

The Clippers were out-rebounded by the smaller Suns, 43-35.

4. Jared Cunningham improved his chances of making the Clippers' roster as a backup guard.

Cunningham had just three points and two assists against the Suns, but Clippers Coach Doc Rivers liked his defense and activity.

5. Rivers still will have to find out who'll be his backup small forward.

Reggie Bullock and Chris Douglas-Roberts are vying for the role behind Barnes.

But neither player has stood out.

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Home of early film star Lewis Stone was part of 500-acre Valley ranch

The country retreat of early film star Lewis Stone is on the market in the Valley Glen area at $1.799 million.

The City of Los Angeles Landmark No. 793, which recalls the days of San Fernando Valley ranching, changed hands last year for $1.6 million and before that sold in 2001 for $850,000.

The Spanish Colonial Revival-style house, built in 1930 as the main residence on Stone's 500-acre ranch, is outfitted with six fireplaces including one in the master suite, which features a sunken tub covered with Hispano-Moresque tile. Cast-iron chandeliers and wood beam ceilings are among other details.

A walk-in film vault, a library/study, a den/office, a butler's pantry, a family room, six bedrooms and 3.5 bathrooms are within the 6,500 square feet of living space.

The more than half-acre grounds include a tiki bar, a detached guesthouse and fruit trees.

Stone, who died in 1953 at 73, was an MGM contract actor who played Judge James K. Hardy in the "Andy Hardy" film series that also featured Mickey Rooney. White haired from an early age, he starred opposite actress Greta Garbo in such '30s films as "Grand Hotel" and "Queen Christina."

Fred Schwartz of Rhodes Realty and Craig Knizek of the Agency are the listing agents.

Twitter: @LATHotProperty

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BP breaks new ground in PR, issuing a PR release about its PR release

Evidently feeling some heat over a corporate press release that somehow found its way into Politico Magazine masquerading as an "opinion" op-ed, BP took the unusual step Wednesday of issuing a corporate press release about it. If you're counting, that's two press releases for the price of one.

BP's statement-about-its-statement was issued by Jason Ryan, a press officer. It reads, in its entirely, as follows:

"This is an opinion piece submitted by BP to an influential newspaper to counter several op-eds about the Gulf that previously were published in this and other media outlets. It's no different than any other op-ed by any other company in any other publication."

I examined the original press release here. It's a statement of 800-words-plus headed "No, BP Didn't Ruin the Gulf," which ran in Politico Magazine under the byline of Geoff Morrell, who is identified as a BP flack at the bottom of the page.

The piece utterly failed to make its case that BP didn't ruin the Gulf of Mexico. Worse, it may have had the effect of prompting readers to scrutinize objective scientific research, some of which suggests that while it's too early to say for sure that BP may indeed have ruined the gulf, there are signs that its 2010 Deepwater Horizon oil spill may have done lasting damage.  

As I observed earlier, BP has had a sizable commercial relationship with Politico. Earlier this year, while the company was fighting in court to overturn a damages settlement its own lawyers had helped to craft, it surfaced as a sponsor of Politico's widely read "Playbook" daily email blasts. This allowed the company to insert ad-like snippets in the emails, denigrating businesses and individuals that had shown the impudence to file damage claims against BP. In fact, BP is sponsoring Playbook again this week. 

BP is correct that corporate public-relations defenses often end up as op-eds in newspapers, including The Times. It's not a creditable practice, and it's almost always cynical. Politico originally took the weird step, however, of presenting Morrell's statement as though it were just another story, labeling it with the tag "Environment." Only later was the label changed to "Opinion," which is still a bit misleading. (Credit Newsweek with unearthing the original display.) 

Morrell's piece has elicited considerable criticism and ridicule, which is what presumably prompted the company's follow-up statement. Among other coverage, Erik Wemple of the Washington Post scrutinized the relationship between Politico and BP. Our favorite response is a look by Twitter contributor Telltale Blart at how the principle of BP's op-ed might have been employed in an earlier historical period. It's headed "No, Dracula Impaled No One," over the byline of Vlad the Impaler. 

Keep up to date with the Economy Hub. Follow @hiltzikm on Twitter, see our Facebook page, or email mhiltzik@latimes.com

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Kat Von D's tattoo shop High Voltage damaged in fire

An early morning fire ripped through a West Hollywood strip mall Thursday, causing damage to Kat Von D's famed tattoo parlor High Voltage.

About 50 firefighters battled the blaze, which was reported just after 4 a.m. in the 1200 block of North La Brea Avenue, according to Los Angeles County Fire Capt. Brian Jordan.

Firefighters removed valuable items from the tattoo shop and neighboring building, which was also damaged in the fire.

The cause of the fire remained under investigation.

Authorities believe a burglary alarm that went off was triggered by the fire, said Los Angeles County Sheriff's Deputy John Mitchell of the West Hollywood station.

The tattoo shop was featured on TLC's "LA Ink," which followed Kat Von D as she managed her employees and created tattoos for clients. The show ran on the network for four years.

In 2010, Von D's home in the Hollywood Hills was also severely damage by a fire, which killed her cat.

For breaking news in Los Angeles and throughout California, follow @VeronicaRochaLA. She can be reached at veronica.rocha@latimes.com.

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Mortgage rates sink; 30-year averages 3.92%, Freddie Mac says

The lowest mortgage rates of the year sank a bit lower this week, with Freddie Mac reporting that lenders were offering 30-year fixed loans at an average of 3.92%, down from 3.97% a week ago.

The average rate for a 15-year loan also ratcheted down, from 3.18% to 3.1%, according to Freddie Mac's weekly survey, offering borrowers an inexpensive way to pay their mortgages faster.

With inflation running below the Federal Reserve's target of 2% and consumer prices up just 0.1% in September, investors are accepting rock-bottom returns on mortgage bonds guaranteed by Freddie Mac and Fannie Mae, the housing finance giants.

The average rate on the 30-year fixed mortgage was at its lowest point since June 2013, Freddie Mac said in its weekly report, issued Thursday. A year ago at this time, borrowers were offering 30-year loans at an average of 4.13%.

Freddie Mac asks lenders every Monday through Wednesday about the terms they are offering to low-risk borrowers who pay minimal points and fees to lenders -- half of 1% of the loan amount in the latest survey.

Keep an eye on banking and mortgage news by following @ScottReckard

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